SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Between theory and practice: comparative study of early music performances
16 references·2 citing·27 second hop
Between theory and practice: comparative study of early music performances (2006)Between theory and practice: comparative …Authenticity in performance (2015)Authenticity in performanceAn Examination of the Intonation Tendencies of Wind Instrumentalists Based on Their Performance of Selected Harmonic Musical Intervals (1998)An Examination of the Intonat…Text and act: essays on music and performance (1996)Text and act: essays on music…Performance Practices of the Seventeenth and Eighteenth Centuries (1996)Performance Practices of the …Stolen Time: The History of Tempo Rubato (1995)Stolen Time: The History of T…Violin intonation: a historical survey (1991)Violin intonation: a historic…Beyond temperament: non-keyboard intonation in the 17th and 18th centuries (1991)Beyond temperament: non-keybo…Contemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century (1983)Early Music Defended against …MUSICAL PERFORMANCE AND AUTHENTICITY (1978)MUSICAL PERFORMANCE AND AUTHE…The Interpretation of Early Music (1977)The Interpretation of Early M…The Reliability of Transcription (1974)The Reliability of Transcript…The French Inégales, Quantz, and Bach (1965)The French Inégales, Quantz, …The Interpretation of Music (1955)The Interpretation of MusicTuning and temperament (1951)Tuning and temperamentEssay on the True Art of Playing Keyboard Instruments (1949)Essay on the True Art of Play…Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts (2018)Analysis of Contemporary Viol…Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998 (2011)Variety in Performance: A com…“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)The Schenker Project (2007)Class, Control, and Classical Music (2019)Musicology as a Political Act (1993)The Imaginary Museum of Musical Works (1994)Jazz Among the Discourses (1995)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric (2015)The End of Early Music (2007)Musical Communities: Rethinking the Collective in Music (2011)Bach's extraordinary temperament: our Rosetta Stone--1 (2005)Art As Collective Action (1974)How motives, skills, and values determine what people do. (1985)Improving Communication of Uncertainty in the Reports of the Intergovernmental Panel on Climate Change (2009)Historical performance and the modern performer (2002)Roots of Music Learning Theory and Audiation (2011)The Notation Is Not the Music: Reflections on Early Music Practice and Performance (2013)Texture as a Sign in Classic and Early Romantic Music (1982)Cadential processes: The evaded cadence and the “one more time” technique (1992)“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003)Mozart's Teaching of Intonation (1977)Tuning: At the Crossroads (1987)A Longitudinal Study of Intonation in an a cappella Singing Quintet (2018)Tempo, duration, and flexibility: Techniques in the analysis of performance (1996)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)Do[n't] Change a Hair for Me: The Art of Jazz Rubato (2002)
this work references cited by second hop

References

  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 1996Text and act: essays on music and performance331 cited
  • 1955The Interpretation of Music298 cited
  • 1949Essay on the True Art of Playing Keyboard Instruments211 cited
  • 1983Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century167 cited
  • 1977The Interpretation of Early Music85 cited
  • 1995Stolen Time: The History of Tempo Rubato81 cited
  • 1991Beyond temperament: non-keyboard intonation in the 17th and 18th centuries70 cited
  • 1951Tuning and temperament58 cited
  • 1991Violin intonation: a historical survey57 cited
  • 1965The French Inégales, Quantz, and Bach44 cited
  • 1998An Examination of the Intonation Tendencies of Wind Instrumentalists Based on Their Performance of Selected Harmonic Musical Intervals37 cited
  • 1974The Reliability of Transcription30 cited
  • 1996Performance Practices of the Seventeenth and Eighteenth Centuries29 cited
  • 1978MUSICAL PERFORMANCE AND AUTHENTICITY27 cited
  • 2015Authenticity in performance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

18 cited

Cited by

  • 2018Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts9 cited
  • 2011Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 19987 cited