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The Dark End of the Street: Margins in American Vanguard Poetry.
4 references·12 citing·35 second hop
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References

  • 1980Black Macho and the Myth of the Superwoman.751 cited
  • 1907Sex and Character128 cited
  • 1986Prophetic Strain: The Greater Lyric in the Eighteenth Century.52 cited
  • 1975Pity the Monsters: The Political Vision of Robert Lowell.32 cited

Cited by

  • 1996The Cambridge History of American Literature86 cited
  • 2001The Modern Jew Who Has Given Up the Faith of His Fathers Can Reasonably and Consistently Believe in Isolation50 cited
  • 2024‘We cannot live without our lives’37 cited
  • 1996Gertrude Stein's Jewishness, Jewish Social Scientists, and the "Jewish Question"36 cited
  • 2011"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism35 cited
  • 1997Gertrude Stein for Anyone30 cited
  • 2002"A Hard Rain": Looking to Bob Kaufman28 cited
  • 2000Robert Lowell's Monumental Vision: History, Form, and the Cultural Work of Postwar American Lyric22 cited
  • 2010Manishevitz and Sake, the Kaddish and Sutras: Allen Ginsberg's Spiritual Self-Othering21 cited
  • 1998Gertrude Stein's war autobiographies: Reception, history, and dialogue18 cited
  • 2012This fact which is not one: differential poetics in transatlantic american modernism

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18 cited
  • 1997Poetry at Stake: Blaise Cendrars, Cultural Studies, and the Future of Poetry in the Literature Classroom6 cited