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PHOTOGRAPHIC HISTORY AND THE VISUAL APPEARANCE OF AN IRISH NATIONALIST DISCOURSE 1840–1870
14 references·3 citing·26 second hop
PHOTOGRAPHIC HISTORY AND THE VISUAL APPEARANCE OF AN IRISH NATIONALIST DISCOURSE 1840–1870 (2004)PHOTOGRAPHIC HISTORY AND THE VISUAL APPEA…The Body and the Archive * (2017)The Body and the Archive *The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Screening Ireland: Film and Television Representation (2003)Screening Ireland: Film and T…Irish Film (2000)Irish FilmPicturing Empire: Photography and the Visualization of the British Empire (1999)Picturing Empire: Photography…Framing the Victorians (1996)Framing the VictoriansThe Victorians: Photographic Portraits. (1995)The Victorians: Photographic …The body and the lens: photography 1839 to the present (1995)The body and the lens: photog…Anthropology and Photography 1860-1920. (1994)Anthropology and Photography …The Artist as Anthropologist: The Representation of Type and Character in Victorian Art (1991)The Artist as Anthropologist:…The Burden of Representation: Essays on Photographies and Histories. (1989)The Burden of Representation:…The Burden of Representation (1988)The Burden of RepresentationCinema and Ireland (1988)Cinema and IrelandImagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities. Reflect…La sociedad de vidrio. El fotógrafo migrante Eugène Courret y la construcción de la memoria visual y las identidades en Perú durante la segunda mitad del siglo XIX (2021)La sociedad de vidrio. El fot…The photographic portrait: a means to surveillance and subversion (2018)The photographic portrait: a …THE GREAT FAMINE (2010)THE GREAT FAMINEDisjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Anthropology and Mass Media (1993)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Photography and voice in critical qualitative management research (2005)Nature Tourism And Irish Film (2006)Constructing the ‘other’: construction of Russian identity in the discourse of James Bond films (2014)The Cambridge History of Ireland (2018)Family photographs and domestic spacings: a case study (2003)Memory and place: geographies of a critical relationship (2004)Geopolitics and visuality: Sighting the Darfur conflict (2007)The moral discourse of climate: historical considerations on race, place and virtue (1991)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)The Archaeology of Improvement in Britain, 1750–1850 (2007)Notes from the Surface of the Image (2003)When Is a Photograph Worth a Thousand Words? (2003)Darwin's Emotions: The Scientific Self and the Sentiment of Objectivity (2009)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)The Quadruple Object (2011)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Ethnographic Showcases, 1870-1930 (1993)Excavating AI: the politics of images in machine learning training sets (2021)Discourse Analysis as Theory and Method (2002)Decolonization is not a metaphor (2012)The Image of Objectivity (1992)
this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1988The Burden of Representation1,232 cited
  • 1989The Burden of Representation: Essays on Photographies and Histories.935 cited
  • 2017The Body and the Archive *331 cited
  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 1996Framing the Victorians204 cited
  • 1991The Artist as Anthropologist: The Representation of Type and Character in Victorian Art154 cited
  • 1994Anthropology and Photography 1860-1920.148 cited
  • 2003Screening Ireland: Film and Television Representation94 cited
  • 2000Irish Film75 cited
  • 1995The Victorians: Photographic Portraits.72 cited
  • 1988Cinema and Ireland57 cited
  • 1995The body and the lens: photography 1839 to the present48 cited

Cited by

  • 2018The photographic portrait: a means to surveillance and subversion4 cited
  • 2021La sociedad de vidrio. El fotógrafo migrante Eugène Courret y la construcción de la memoria visual y las identidades en Perú durante la segunda mitad del siglo XIX

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3 cited
  • 2010THE GREAT FAMINE1 cited