Tarkovsky's Nostalghia : Refusing Modernity, Re-Envisioning Beauty

Christy L. Burns

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Cinema History and Criticism Visual Culture and Art Theory Ethics, Aesthetics, and Art

Abstract

In Nostalghia , Andrei Tarkovsky's refusal of narrative and use of long, slow takes distinguish him from Soviet realism and postmodern culture. His striking visuals provide a fresh treatment of the beautiful and create spatial-temporal correlatives to nostalgia and loss. The film contributes to suture theory, as well, and models a complex politics.

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References

1953The Standard Edition of the Complete Psychological Works of Sigmund Freud 19771.7 THIS SEX WHICH IS NOT ONE 1986On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection 2001The future of nostalgia 1993The way we never were: American families and the nostalgia trap 2010Critique of Judgement 1984The Subject of Semiotics 2001An Accented Cinema : Exilic and Diasporic Filmmaking

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