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Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer
12 references·7 citing·30 second hop
Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer (2012)Wastrels of Time: Slow Cinema’s Laboring …Global art cinema: new theories and histories (2010)Global art cinema: new theori…Shocking representation: historical trauma, national cinema, and the modern horror film (2006)Shocking representation: hist…Cinephilia and History, or The Wind in the Trees (2005)Cinephilia and History, or Th…No Future: Queer Theory and the Death Drive (2004)No Future: Queer Theory and t…Rites of Realism: Essays on Corporeal Cinema (2003)Rites of Realism: Essays on C…Culture and waste : The creation and destruction of value (2003)Culture and waste : The creat…Aftershocks of the New: Feminism and Film History (2002)Aftershocks of the New: Femin…Cutting Edge: Art-Horror and the Horrific Avant-garde (2000)Cutting Edge: Art-Horror and …Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture (1996)Fast Cars, Clean Bodies: Deco…'Trashing' the academy: taste, excess, and an emerging politics of cinematic style (1995)'Trashing' the academy: taste…Art Cinema as Institution (1981)Art Cinema as InstitutionWhat is cinema (1967)What is cinemaTorlasco’s “Philosophy in the Kitchen”: image, domestic labor, and the gendered embodiment of time (2019)Torlasco’s “Philosophy in the…Frame by Frame (2019)Frame by FrameSounds of Slowness: Ambience and Absurd Humour in Slow Sound Design (2018)Sounds of Slowness: Ambience …Frame by Frame: A Materialist Aesthetics of Animated Cartoons (2018)Frame by Frame: A Materialist…The Aesthetics of Boredom: Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia (2016)The Aesthetics of Boredom: Sl…Slow Time, Visible Cinema: Duration, Experience, and Spectatorship (2016)Slow Time, Visible Cinema: Du…Can Poetics Break Bricks? (2016)Can Poetics Break Bricks?Observed Decay: Telling Stories with Mutable Things (2006)The Afterlives of “Waste”: Notes from India for a Minor History of Capitalist Surplus (2011)Rethinking governance and value in commodity chains through global recycling networks (2012)Shakespeare and World Cinema (2012)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)The Cinematographic Unconscious of Slum Voyeurism (2017)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)A climate for business: global warming, the state and capital (1998)Global and world cities: a view from off the map (2002)The gift of travel time (2007)Orientations (2006)The times we’re in: Queer feminist criticism and the reparative ‘turn’ (2014)The commons: Infrastructures for troubling times* (2016)Alternative Shakespeares (1987)CULT FICTIONS: CULT MOVIES, SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS (2002)Shopping, Space, and Practice (2002)Reconceptualizing national cinema/s (1993)Film Festivals : From European Geopolitics to Global Cinephilia (2007)World Cinemas, Transnational Perspectives (2009)Horror Film and Psychoanalysis (2004)National, transnational or supranational cinema? Rethinking European film studies (2005)Introduction: Prior Constraints (2007)Gossip, Letters, Phones (2008)STRUCTURAL FILM: (2008)What's the Point of an Index? or, Faking Photographs (2008)Horror to the Extreme: Changing Boundaries in Asian Cinema (2009)Stories of the Undead in the Land of the Unburied: Magical Historicism in Contemporary Russian Fiction (2009)Listening to the Speaking Wound (2013)
this work references cited by second hop

References

  • 2004No Future: Queer Theory and the Death Drive3,397 cited
  • 1967What is cinema602 cited
  • 1996Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture352 cited
  • 1995'Trashing' the academy: taste, excess, and an emerging politics of cinematic style301 cited
  • 2002Aftershocks of the New: Feminism and Film History214 cited
  • 2003Culture and waste : The creation and destruction of value212 cited
  • 2000Cutting Edge: Art-Horror and the Horrific Avant-garde194 cited
  • 2006Shocking representation: historical trauma, national cinema, and the modern horror film167 cited
  • 1981Art Cinema as Institution164 cited
  • 2010Global art cinema: new theories and histories140 cited
  • 2005Cinephilia and History, or The Wind in the Trees95 cited
  • 2003Rites of Realism: Essays on Corporeal Cinema85 cited

Cited by

  • 2019Frame by Frame34 cited
  • 2016Slow Time, Visible Cinema: Duration, Experience, and Spectatorship34 cited
  • 2018Sounds of Slowness: Ambience and Absurd Humour in Slow Sound Design31 cited
  • 2016Can Poetics Break Bricks?

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16 cited
  • 2019Torlasco’s “Philosophy in the Kitchen”: image, domestic labor, and the gendered embodiment of time11 cited
  • 2018Frame by Frame: A Materialist Aesthetics of Animated Cartoons8 cited
  • 2016The Aesthetics of Boredom: Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia7 cited