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A voice without a face: popular music and the phonograph in the 1890s
10 references·6 citing·29 second hop
A voice without a face: popular music and the phonograph in the 1890s (1991)A voice without a face: popular music and…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Studying Popular Music (1991)Studying Popular MusicStudying Popular Music (1990)Studying Popular MusicNoise... The Political Economy of Music (1988)Noise... The Political Econom…Post-structuralism and the question of history (1987)Post-structuralism and the qu…Noise: The Political Economy of Music (1986)Noise: The Political Economy …Conditions of Music (1984)Conditions of MusicYesterdays; Popular Song in America (1982)Yesterdays; Popular Song in A…Yesterdays: Popular Song in America (1980)Yesterdays: Popular Song in A…Television: Technology and Cultural Form (1974)Television: Technology and Cu…Music and Persona: An Introduction (2019)Music and Persona: An Introdu…Musical borrowing in hip-hop music : theoretical frameworks and case studies (2010)Musical borrowing in hip-hop …Voice and the Victorian Storyteller (2007)Voice and the Victorian Story…A voice without a body: the phonographic logic ofHeart of Darkness (2005)A voice without a body: the p…Looking at Records (2001)Looking at RecordsTraditional Practice and Mass Mediated Music in India (1993)Traditional Practice and Mass…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Geography's Empire: Histories of Geographical Knowledge (1992)Our Knowledge of the Past (2004)The Corporeal Politics of Quality (Suzhi) (2004)Some aspects of Japanese popular music (1991)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Music and Mediation: Toward a New Sociology of Music (2012)McQuail's mass communication theory (2000)A New Era of Minimal Effects? The Changing Foundations of Political Communication (2008)The Handbook of Journalism Studies (2009)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Mediatization of Society (2008)Banjo Transformations and Bluegrass Rhythm (2009)Modernism and Popular Music (2011)Banding together: how communities create genres in popular music (2012)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)A Sweet Lullaby for World Music (2000)Doing anthropology in sound (2004)The Cambridge History of American Music (1998)The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century (2000)The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound (2017)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1974Television: Technology and Cultural Form2,368 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 1990Studying Popular Music606 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 1991Studying Popular Music550 cited
  • 1987Post-structuralism and the question of history342 cited
  • 1980Yesterdays: Popular Song in America194 cited
  • 1982Yesterdays; Popular Song in America134 cited
  • 1984Conditions of Music70 cited

Cited by

  • 2007Voice and the Victorian Storyteller53 cited
  • 2019Music and Persona: An Introduction23 cited
  • 2005A voice without a body: the phonographic logic ofHeart of Darkness22 cited
  • 2001Looking at Records11 cited
  • 2010Musical borrowing in hip-hop music : theoretical frameworks and case studies6 cited
  • 1993Traditional Practice and Mass Mediated Music in India5 cited

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