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MAKING AN IMPRESSION: REPLICATION AND THE ONTOLOGY OF THE GRAECO‐ROMAN SEAL STONE
4 references·16 citing·38 second hop
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this work references cited by second hop

References

  • 1964Rhétorique de l'image1,084 cited
  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 1961Le message photographique230 cited
  • 1990EMBLEMS IN ARCHAIC GREECE49 cited

Cited by

  • 2010Making Myron's Cow Moo?: Ecphrastic Epigram and the Poetics of Simulation155 cited
  • 2010Reading a View: Poem and Picture in the Greek Anthology102 cited
  • 2012Representation and the materiality of the book in the polymetrics70 cited
  • 2013CATULLUS 61: EPITHALAMIUM AND COMPARISON61 cited
  • 2014LITHIC POETICS: POSIDIPPUS AND HIS STONES59 cited
  • 2021Horace and the Greek Lyric Poets50 cited
  • 2010Fathers and Sons: The Manlii Torquati and Family Continuity in Catullus and Horace44 cited
  • 2020Aegean Bronze Age Art39 cited
  • 2010Crediting Pseudolus: Trust, Belief, and the Credit Crunch in Plautus’Pseudolus35 cited
  • 2008Catullus and the Roman Paradox Epigram30 cited
  • 2019Painting, Ethics, and Aesthetics in Rome30 cited
  • 2005TWO VIRGILIAN ACROSTICS: CERTISSIMA SIGNA?

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30 cited
  • 2021Materiality in Roman Art and Architecture22 cited
  • 2016The Matter of Classical Art History19 cited
  • 2010Roman Methods of Authentication in the First Two Centuries AD16 cited
  • 2020Aegean Bronze Age Art: Meaning in the Making7 cited