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Cited by

• 2011Introduction to the Special Issue: The Ethnomusicology of Western Art Music40 cited
• 1999Pythagoras in the Renaissance: The Case of Marsilio Ficino30 cited
• 2006Music and Ideas in the Sixteenth and Seventeenth Centuries28 cited
• 2006Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Holderlin, Nietzsche, and Heidegger28 cited
• 2011Schenker and Schoenberg on the Will of the Tone25 cited
• 2017Plague and Music in the Renaissance25 cited
• 2009The Renaissance Academies between Science and the Humanities21 cited
• 2007Music as Erotic Magic in a Renaissance Romance20 cited
• 1998Nature, Culture, Myth, and the Musician in Early Modern England18 cited
• 2001Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher17 cited
• 1999Vico's Songs: Detours at the Origins of (Ethno)Musicology15 cited
• 2013The Voice and Early Modern Historiography: Reading Johannes Kepler's Harmony of the World14 cited
• 2013Historical Alternatives to a Poststructuralist Reading of Johannes Kepler's Harmony of the World: Response to Jonathan Owen Clark13 cited
• 2013The Soundtrack to War13 cited