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Identification of lead(ii) sulfide and pararealgar on a 13th century manuscript by Raman microscopy
7 references·10 citing·37 second hop
Identification of lead(ii) sulfide and pararealgar on a 13th century manuscript by Raman microscopy (1997)Identification of lead(ii) sulfide and pa…Raman Microscopy Study of the Pigments on Three Illuminated Mediaeval Latin Manuscripts (1997)Raman Microscopy Study of the…Non-DestructiveIn Situ Identification of Cinnabar on Ancient Chinese Manuscripts (1997)Non-DestructiveIn Situ Identi…Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Characterization of Pararealg…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy: application…Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Identification by Raman micro…Contribution of Raman spectroscopy to art and history (1994)Contribution of Raman spectro…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Non-destructive pigment analy…Spectroscopic analysis of pigments and inks in manuscripts: II. Islamic illuminated manuscripts (16th–18th century) (2014)Spectroscopic analysis of pig…In situ Raman microscopy applied to large Central Asian paintings (2009)In situ Raman microscopy appl…Raman spectroscopy of Japanese artists' materials: The Tale of Genji by Tosa Mitsunobu (2006)Raman spectroscopy of Japanes…Raman analysis of ninth-century Iraqi stuccoes from Samarra (2006)Raman analysis of ninth-centu…Issues relating to the common origin of two Byzantine miniatures: in situ examination with Raman spectroscopy and optical microscopy (2006)Issues relating to the common…The Occurrence and Alteration of Realgar on Ancient Egyptian Papyri (2004)The Occurrence and Alteration…Application of confocal Raman spectroscopy to thin polymer layers on highly scattering substrates: a case study of synthetic adhesives on historic textiles (2004)Application of confocal Raman…Spectroscopic Studies on the Darkening of Lead White (2003)Spectroscopic Studies on the …In Situ Spectroscopic Detection of Lead Sulphide on a Blackened Manuscript Illumination by Raman Microscopy (2002)In Situ Spectroscopic Detecti…Spectroscopic Examination of Two Egyptian Masks: A Combined Method Approach (2000)Spectroscopic Examination of …The materials and techniques of medieval painting (1956)VERDIGRIS AND COPPER RESINATE (1970)Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy (2001)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Painting Materials: A Short Encyclopedia (2011)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Vibrational Raman spectroscopic studies of calcium oxalate monohydrate and dihydrate in lichen encrustations on renaissance frescoes (1992)Art in the Making: Impressionism (1993)Fourier transform Raman spectroscopic characterization of pigments in the mediaeval frescoes at Convento de la Peregrina, Sahagun, Léon, Spain. 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this work references cited by second hop

References

  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 1992Non-destructive pigment analysis of artefacts by Raman microscopy164 cited
  • 1996Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy127 cited
  • 1995Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript118 cited
  • 1997Non-DestructiveIn Situ Identification of Cinnabar on Ancient Chinese Manuscripts57 cited
  • 1997Raman Microscopy Study of the Pigments on Three Illuminated Mediaeval Latin Manuscripts56 cited
  • 1994Contribution of Raman spectroscopy to art and history49 cited

Cited by

  • 2004The Occurrence and Alteration of Realgar on Ancient Egyptian Papyri44 cited
  • 2000Spectroscopic Examination of Two Egyptian Masks: A Combined Method Approach42 cited
  • 2009In situ Raman microscopy applied to large Central Asian paintings40 cited
  • 2006Raman spectroscopy of Japanese artists' materials: The Tale of Genji by Tosa Mitsunobu40 cited
  • 2002In Situ Spectroscopic Detection of Lead Sulphide on a Blackened Manuscript Illumination by Raman Microscopy39 cited
  • 2004Application of confocal Raman spectroscopy to thin polymer layers on highly scattering substrates: a case study of synthetic adhesives on historic textiles38 cited

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  • 2003Spectroscopic Studies on the Darkening of Lead White34 cited
  • 2014Spectroscopic analysis of pigments and inks in manuscripts: II. Islamic illuminated manuscripts (16th–18th century)33 cited
  • 2006Raman analysis of ninth-century Iraqi stuccoes from Samarra25 cited
  • 2006Issues relating to the common origin of two Byzantine miniatures: in situ examination with Raman spectroscopy and optical microscopy14 cited