SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
HOW TO SEE A WORK OF ART IN TOTAL DARKNESS
0 references·9 citing·38 second hop
HOW TO SEE A WORK OF ART IN TOTAL DARKNESS (2008)HOW TO SEE A WORK OF ART IN TOTAL DARKNESSToward Infrastructure Art (2021)Toward Infrastructure ArtDiversity and Philanthropy at African American Museums (2019)Diversity and Philanthropy at…Surface play: rewriting black interiorities through camouflage and abstraction in Mickalene Thomas's oeuvre (2018)Surface play: rewriting black…Performing Endurance (2018)Performing EnduranceIntroduction: skin, surface, sensorium (2018)Introduction: skin, surface, …Innovating Social Change through Grassroots Leadership Practices in the Arts (2017)Innovating Social Change thro…Re-Presenting Slavery: Underserved Questions in Museum Collections (2014)Re-Presenting Slavery: Unders…Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic (2013)Americocentrism and Art of th…‘Disabling’ the museum: Curator as infrastructural activist (2013)‘Disabling’ the museum: Curat…Claiming disability: knowledge and identity (1998)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Staring How We Look (2009)Blind Visuality in Bruce Horak’s "Through a Tired Eye" (2021)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Time and the Other: How Anthropology Makes Its Object (1983)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)A multi-analytical study of the palette of impressionist and post-impressionist Puerto Rican artists (2022)Releasing the imagination: essays on education, the arts, and social change (1996)8. Preparing for Culturally Responsive Teaching (2002)Venus in Two Acts (2008)Haptic Blackness: The Double Life of an 18th-century Bust (2015)Museums as Alternative Settings for Initial Teacher Education: Implications of and Beyond the “Take One Picture” Program for Primary Art Education (2015)Using Hip-Hop Music to Enhance Critical Discussions on Postmodern Art (2015)Insider/outsider team research (1996)Handbook of Action Research Participative Inquiry and Practice (2001)The Action Research Planner (2013)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Identity : community, culture, difference (2003)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Surface Reading: An Introduction (2009)Cruel Optimism (2011)Black Skin, White Masks (2023)Understanding Media: The Extensions of Man (1964)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The Postmodern Condition: A Report on Knowledge (1984)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Powers of Horror: An Essay on Abjection (1984)Homo Sacer (2020)Online lockdown diaries as endurance art (2021)Maya Rao and Indian Feminist Theatre (2022)Embodying the Algorithm (2023)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)Distinction: A Social Critique of the Judgement of Taste. (1985)The Social Responsibility of Business Is to Increase Its Profits (2007)Cultural organisations and the emotional labour of becoming entrepreneurial (2021)Playing the system: ‘Race’-making and elitism in diversity projects in Germany's classical music sector (2021)Unequal entanglements: how arts practitioners reflect on the impact of intensifying economic inequality (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Introduction: skin, surface, sensorium74 cited
  • 2019Diversity and Philanthropy at African American Museums26 cited
  • 2018Performing Endurance22 cited
  • 2013‘Disabling’ the museum: Curator as infrastructural activist22 cited
  • 2017Innovating Social Change through Grassroots Leadership Practices in the Arts17 cited
  • 2013Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic14 cited
  • 2018Surface play: rewriting black interiorities through camouflage and abstraction in Mickalene Thomas's oeuvre11 cited
  • 2014Re-Presenting Slavery: Underserved Questions in Museum Collections10 cited
  • 2021Toward Infrastructure Art8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work