Means without End: Ayreen Anastas and Rene Gabri's Camp Campaign

T. J. Demos

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Art, Politics, and Modernism Visual Culture and Art Theory Contemporary art, education, critique

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October 01 2008 Means without End: Ayreen Anastas and Rene Gabri's Camp Campaign T.J. Demos T.J. Demos T.J. Demos is a critic and a lecturer in the Department of Art History, University College London. The author of The Exiles of Marcel Duchamp (MIT Press, 2007), his essays on modern and contemporary art have appeared in journals such as Artforum, Art Journal, Grey Room, October, and Texte zur Kunst. Search for other works by this author on: This Site Google Scholar Author and Article Information T.J. Demos T.J. Demos is a critic and a lecturer in the Department of Art History, University College London. The author of The Exiles of Marcel Duchamp (MIT Press, 2007), his essays on modern and contemporary art have appeared in journals such as Artforum, Art Journal, Grey Room, October, and Texte zur Kunst. Online Issn: 1536-013X Print Issn: 0162-2870 © 2008 October Magazine, Ltd. and Massachusetts Institute of Technology2008 October (2008) (126): 69–90. https://doi.org/10.1162/octo.2008.126.1.69 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation T.J. Demos; Means without End: Ayreen Anastas and Rene Gabri's Camp Campaign. October 2008; (126): 69–90. doi: https://doi.org/10.1162/octo.2008.126.1.69 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsOctober Search Advanced Search This content is only available as a PDF. © 2008 October Magazine, Ltd. and Massachusetts Institute of Technology2008 Article PDF first page preview Close Modal You do not currently have access to this content.

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2004Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern 1986Of Other Spaces 2004Antagonism and Relational Aesthetics 2009Hegel, Haiti, and Universal History 2004Who Is the Subject of the Rights of Man?1960The Ontology of the Photographic Image 2004Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern 1998Notes on Globalization as a Philosophical Issue

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