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Coordination of Interval Sizes in Seven-Tone Collections
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  • 2005Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock28 cited
  • 2007Coherence and sameness in well-formed and pairwise well-formed scales24 cited
  • 1993Early Indian Heptatonic Scales and Recent Diatonic Theory22 cited
  • 1999Defining Modular Transformations20 cited
  • 1996Coherent Tone-Systems: A Study in the Theory of Diatonicism18 cited
  • 1997Diatonic Connotations of Pitch-Class Sets17 cited
  • 2002On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims16 cited
  • 2002The Rise of 6 in the Nineteenth Century15 cited
  • 2013Analytical and Cross-Cultural Studies in World Music12 cited
  • 2000Analysing Post‐Tonal Diatonic Music: A Modulo 7 Perspective6 cited
  • 2022Ostinatos in Black-Atlantic traditions: generic-specific similarity and proximity3 cited
  • 2014Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos3 cited
  • 2022Structural properties of multi-octave scales2 cited

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