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Sound society and the geography of popular music
0 references·16 citing·54 second hopsampled
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  • 2010Guest Editorial—Creative Geographies: tales from the ‘margins’98 cited
  • 2013Popular music, psychogeography, place identity and tourism: The case of Sheffield43 cited
  • 2014The Dixie Chicks’ “Lubbock or Leave It”: Negotiating Identity and Place in Country Song35 cited
  • 2019Innovation in Creative Industries: Does (Related) Variety Matter for the Creativity of Urban Music Scenes?28 cited
  • 2018A state of constant prodding: live music, precarity and regulation27 cited
  • 2018“Far Back in American Time”: Culture, Region, Nation, Appalachia, and the Geography of Voice24 cited
  • 2015Geography of American rap: rap diffusion and rap centers24 cited
  • 2019How do new music genres emerge? Diversification processes in symbolic knowledge bases20 cited
  • 2017Cities in music videos: Audiovisual variations on London’s neoliberal skyline19 cited
  • 2017Rethinking music geography through the mainstream: a geographical analysis of Frank Sinatra, music and travel17 cited
  • 2023Popular Music Heritage, Cultural Justice and the Deindustrialising City17 cited
  • 2021Geography and film music: Musicology, gender, and the spatiality of instrumental music15 cited
  • 2014Flamenco¿Algo Nuestro?(Something of Ours?): Music, Regionalism and Political Geography in Andalusia, Spain14 cited

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  • 2016Another Typical Day in this Typical Town: place as inspiration for music creation and creative expression12 cited
  • 2015Space and place in world music production10 cited
  • 2015Island intersections: Music and tourism on Fernando de Noronha, Brazil9 cited