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Who Goes There?: Visual Resources Professionals as Gatekeepers
4 references·0 citing·12 second hop
Who Goes There?: Visual Resources Professionals as Gatekeepers (1997)Who Goes There?: Visual Resources Profess…Mixed Blessings: New Art in a Multicultural America (1995)Mixed Blessings: New Art in a…Art, Ideology, and Politics. (1986)Art, Ideology, and Politics.Art Galleries as Gate Keepers: The Case of the Abstract Expressionists (1978)Art Galleries as Gate Keepers…Current Perspectives in Mass Communication Research. (1974)Current Perspectives in Mass …Multiculturalism and the postmodern critique: Towards a pedagogy of resistance and transformation (1993)Critical pedagogy and predatory culture (1994)culture‐making: performing Aboriginality at the Asia Society Gallery (1994)Socialization and Adolescents' Skepticism toward Advertising (1998)Adolescents’ financial literacy: The role of financial socialization agents, financial experiences, and money attitudes in shaping financial literacy among South Korean youth (2012)Modelling Contemporary Gatekeeping (2017)Congress, Presidents, and the Arts: Collaboration and Struggle (1988)The Public Interest in Public Culture (1991)Distribution of the arts: British arts centres as ‘gatekeepers’ in intersecting cultural production systems (1999)GLOBALIZATION OF MARKETS FOR CONTEMPORARY ART (2013)Do art galleries stimulate redevelopment? (2014)How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market (2017)
this work references cited by second hop

References

  • 1995Mixed Blessings: New Art in a Multicultural America299 cited
  • 1974Current Perspectives in Mass Communication Research.262 cited
  • 1978Art Galleries as Gate Keepers: The Case of the Abstract Expressionists43 cited
  • 1986Art, Ideology, and Politics.37 cited

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