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Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music
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  • 2013The sound of beauty68 cited
  • 1998Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony49 cited
  • 2007'Thought-Provoking Dissonances. Remarks about Machaut's Compositional Licences in Relation to His Texts'46 cited
  • 2017Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets45 cited
  • 2018Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity45 cited
  • 2015“Sanz Note” & “Sanz Mesure”: Toward a Premodern Aesthetics of the Dirge44 cited
  • 2020Machaut's motets on secular songs44 cited
  • 2000Counterpoint and Analysis in Fourteenth-Century Song38 cited
  • 2010Rehearing Machaut's Motets27 cited
  • 2019Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone17 cited
  • 2013Analytical and Cross-Cultural Studies in World Music12 cited
  • 2008"Messy Structure"? Multiple Tonal Centers in the Music of Machaut8 cited
  • 1998Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered?7 cited
  • 2018Music and the moderni, 1300–13505 cited

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  • 2008Introduction2 cited