SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto
10 references·2 citing·29 second hop
Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto (1999)Rethinking Form: Stravinsky's Eleventh-Ho…Selected Correspondence (2000)Selected CorrespondenceStravinsky and the Russian Traditions: A Biography of the Works through Mavra (1999)Stravinsky and the Russian Tr…Sibelius: Symphony No. 5 (1993)Sibelius: Symphony No. 5The music of Stravinsky (1988)The music of StravinskyStravinsky and The rite of spring: the beginnings of a musical language (1988)Stravinsky and The rite of sp…The Music of Igor Stravinsky (1983)The Music of Igor StravinskyStravinsky in Pictures and Documents (1979)Stravinsky in Pictures and Do…Poetics of Music in the Form of Six Lessons (1970)Poetics of Music in the Form …Perspectives on Schoenberg and Stravinsky (1969)Perspectives on Schoenberg an…Conversations with Igor Stravinsky (1959)Conversations with Igor Strav…Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Stravinsky and the Russian pe…A Serial Passage of Diatonic Ancestry in Stravinsky's The Flood (2004)A Serial Passage of Diatonic …Those Images That Yet Fresh Images Beget (1983)Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky (1987)The Emancipation of Dissonance: Schoenberg's Two Practices of Composition (2010)Ends, Means, and Galumphing: Some Leitmotifs of Play1 (1973)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity (1995)Acquiring the phonology of lexical tone in infancy (2000)The orchestral revolution: Haydn and the technologies of timbre (2013)Performance Practice in the Music of Steve Reich (2016)Running in Place: Sketches and Superimposition in Stravinsky's Music (2001)T. S. Eliot’s Parisian Year (2009)Jamming at Le Boeuf: Jazz and the Paris Avant-Garde (1990)Does Music Theory Need Musicology? (1992)The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare” (2008)"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics (1998)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)Stravinsky and the Octatonic: A Reconsideration (2002)Pathway, Blockage, and Containment in Density 21.5 (2016)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)Stravinsky and the Octatonic: The Sounds of Stravinsky (2003)Harmony and Voice Leading in the Music of Stravinsky (2014)The Object of African History: A Materialist Perspective (1978)Radicalism or Reformism: The Sources of Working-class Politics (1983)The theory of unequal ecological exchange: a Marx-Odum dialectic (2014)Virtuosity and the Musical Work (2003)Form, Program, and Metaphor in the Music of Berlioz (2009)John Field and the Alternative History of Concerto First-Movement Form (2011)
this work references cited by second hop

References

  • 1970Poetics of Music in the Form of Six Lessons406 cited
  • 1993Sibelius: Symphony No. 5165 cited
  • 1959Conversations with Igor Stravinsky131 cited
  • 1999Stravinsky and the Russian Traditions: A Biography of the Works through Mavra89 cited
  • 1983The Music of Igor Stravinsky82 cited
  • 1969Perspectives on Schoenberg and Stravinsky75 cited
  • 2000Selected Correspondence72 cited
  • 1979Stravinsky in Pictures and Documents66 cited
  • 1988Stravinsky and The rite of spring: the beginnings of a musical language53 cited
  • 1988The music of Stravinsky33 cited

Cited by

  • 2013Stravinsky and the Russian period: sound and legacy of a musical idiom15 cited
  • 2004A Serial Passage of Diatonic Ancestry in Stravinsky's The Flood9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work