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A performative encounter with artist Silikat van Wyk in the Kalahari
11 references·1 citing·29 second hop
A performative encounter with artist Silikat van Wyk in the Kalahari (2012)A performative encounter with artist Sili…The Presentation of Self in Everyday Life (2023)The Presentation of Self in E…Toward Transcendence: A Creative Process of Performative Writing (2008)Toward Transcendence: A Creat…The tourist viewer, the Bushmen and the Zulu : imaging and (re)invention of identities through contemporary visual cultural productions. (2008)The tourist viewer, the Bushm…Leisure Theory (2005)Leisure TheoryResearch Practice for Cultural Studies (2003)Research Practice for Cultura…Playing with Identities in Contemporary Music in Africa (2003)Playing with Identities in Co…Images and Empires: Visuality in Colonial and Postcolonial Africa (2003)Images and Empires: Visuality…Africans on Stage: Studies in Ethnological Show Business (2000)Africans on Stage: Studies in…The Future of Performance Studies: Visions and Revisions (1998)The Future of Performance Stu…Miscast: negotiating the presence of the Bushmen (1998)Miscast: negotiating the pres…Destination Culture. Tourism, Museums and Heritage (1998)Destination Culture. Tourism,…Another Look at John Marshall and the Ju/’hoansi: Reassessing a Documentary Lifetime (2021)Another Look at John Marshall…The Presentation of Self in Everyday Life. (1956)Discipline and Punish: The Birth of the Prison. (1978)The Human Condition (1998)Living Ethnological Exhibits: The Case of 1886 (2000)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)Examining Millie and Christine McKoy: Where Enslavement and Enfreakment Meet (2011)Marketing Mardi Gras: Commodification, Spectacle and the Political Economy of Tourism in New Orleans (2002)Tourism as an ordering (2004)On souvenirs and metonymy (2005)From Mental Game to Cultural Praxis: A Cultural Studies Model's Implications for the Future of Sport Psychology (2005)Women, climbing and serious leisure (2010)Tourism and autism: Journeys of mixed emotions (2017)GENTRIFICATION, GLOBALIZATION, AND GEORACIALITY (2006)RACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES (2006)The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy (2010)Performing Autoethnography: An Embodied Methodological Praxis (2001)Creative Teaching: Collaborative Discussion as Disciplined Improvisation (2004)Critical Qualitative Inquiry (2016)Leisure: the importance of being inconsequential (2011)The Labour of Leisure (2011)Human rights, leisure and leisure studies (2015)Orientalism as news (2004)The Gender Politics of Celebrity Humanitarianism in Africa (2011)Introduction “the Rot Remains” (2013)Social Identity Theory and the Organization (1989)Emotional Intelligence (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)The Race of Hysteria: "Overcivilization" and the "Savage" Woman in Late Nineteenth-Century Obstetrics and Gynecology (2000)World Heritage and Cultural Economics (2006)
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References

  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 1998Miscast: negotiating the presence of the Bushmen335 cited
  • 1998Destination Culture. Tourism, Museums and Heritage303 cited
  • 1998The Future of Performance Studies: Visions and Revisions243 cited
  • 2003Research Practice for Cultural Studies196 cited
  • 2005Leisure Theory159 cited
  • 2000Africans on Stage: Studies in Ethnological Show Business126 cited
  • 2003Playing with Identities in Contemporary Music in Africa83 cited
  • 2003Images and Empires: Visuality in Colonial and Postcolonial Africa82 cited
  • 2008The tourist viewer, the Bushmen and the Zulu : imaging and (re)invention of identities through contemporary visual cultural productions.22 cited
  • 2008Toward Transcendence: A Creative Process of Performative Writing8 cited

Cited by

  • 2021Another Look at John Marshall and the Ju/’hoansi: Reassessing a Documentary Lifetime1 cited

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