SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Embellishing Sixteenth-Century Music
0 references·16 citing·24 second hop
Embellishing Sixteenth-Century Music (1978)Embellishing Sixteenth-Century MusicThe Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Sixt…Music in the Early Colonial World (2019)Music in the Early Colonial W…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Richard Dering's Few-Voice 'Concertato' Motets (2008)Richard Dering's Few-Voice 'C…Renaissance, Mannerism, Baroque (2005)Renaissance, Mannerism, Baroq…Music in Shakespeare : A Dictionary (2005)Music in Shakespeare : A Dict…Bringing the Past into MUSIC Classrooms (1993)Bringing the Past into MUSIC …Cosimo Bartoli on music (1988)Cosimo Bartoli on musicElizabethan critical essays (1904)Thomas Platter's travels in England, 1599 (1937)The Oxford companion to music (1943)Changing Musical Practices in the Shakespearean Playhouse, 1620–42 (2017)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Paideia, the Ideals of Greek Culture (1947)Dizionario biografico degli italiani (1960)The Quattrocento Dialogue (1980)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Music Criticism in Norway (2019)Stop the Press? The Changing Media of Music Criticism (2019)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)EU 7 FP project Governing urban divercity: Creating social cohesion, social mobility and economic performance in today’s hyper-diversified cities (DIVERCITIES) – The case of Warsaw (2017)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Renaissance Polyphony (2020)Encounters with Music in Rudolf II's Prague (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1988Cosimo Bartoli on music42 cited
  • 2005Music in Shakespeare : A Dictionary34 cited
  • 2019Music in the Early Colonial World24 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2008Richard Dering's Few-Voice 'Concertato' Motets4 cited
  • 1993Bringing the Past into MUSIC Classrooms4 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2005Renaissance, Mannerism, Baroque3 cited
  • 2012The teaching of performance2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work