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The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography
16 references·7 citing·29 second hop
The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography (1991)The Identification of Blue Pigments in Ea…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Painting and Experience in Fifteenth Century Italy. (1996)Painting and Experience in Fi…Conservation of Wall Paintings (1985)Conservation of Wall PaintingsScienza e restauro. Metodi di indagine (1984)Scienza e restauro. Metodi di…Conservation of wall paintings (1984)Conservation of wall paintingsNational Gallery Technical Bulletin (1979)National Gallery Technical Bu…Technical Studies in the Field of the Fine Arts (1977)Technical Studies in the Fiel…Ricordanze (1976)RicordanzePainting and Experience in Fifteenth Century Italy (1969)Painting and Experience in Fi…I. Azurite and Blue Verditer (1966)I. Azurite and Blue Verditer2. Ultramarine Blue, Natural and Artificial (1966)2. Ultramarine Blue, Natural …The craftsman's handbook : the Italian "Il libro dell' arte" (1960)The craftsman's handbook : th…Jahrbuch der Berliner Museen (1959)Jahrbuch der Berliner MuseenA Monument of Byzantine Wall Painting: The Method of Construction (1958)A Monument of Byzantine Wall …Painting Materials : a Short Encyclopedia (1943)Painting Materials : a Short …Original treatises, dating from the XIIth to XVIIIth centuries on the arts of painting, in oil, miniature, mosaic, and on glass, of gilding, dyeing, and the preparation of colours and artificial gems : preceded by a general introduction with translations, prefaces and notes (1849)Original treatises, dating fr…An imaging and spectroscopic methodology for in situ analysis of ceiling and wall decorations in Colonial missions in Northern Mexico from XVII to XVIII centuries (2020)An imaging and spectroscopic …A characterization of the palette of Rafał Hadziewicz (1803–1886) through the following techniques: Infrared false colour (IRFC), XRF, FTIR, RS and SEM-EDS (2018)A characterization of the pal…From macro to micro: An advanced macro X-ray fluorescence (MA-XRF) imaging approach for the study of painted surfaces (2017)From macro to micro: An advan…Analyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging (2017)Analyzing the Heterogeneous H…False Color and Infrared Imaging for the Identification of Pigments in Paintings (2014)False Color and Infrared Imag…A Systematic Examination of Colour Development in Synthetic Ultramarine According to Historical Methods (2013)A Systematic Examination of C…Using ultra‐violet and infra‐red techniques in the examination and documentation of historic textiles (1994)Using ultra‐violet and infra‐…Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup (2009)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. 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(2016)MALACHITE AND GREEN VERDITER (1974)Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring (2020)The Ethics of Listening: Cassette‐SermonAudition in Contemporary Egypt (2001)Aesthetics as Philosophy of Perception (2016)DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY (2009)Practical notes on ultraviolet technical photography for art examination (2015)Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)
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References

  • 1996Painting and Experience in Fifteenth Century Italy.475 cited
  • 1969Painting and Experience in Fifteenth Century Italy403 cited
  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1979National Gallery Technical Bulletin346 cited
  • 1943Painting Materials : a Short Encyclopedia155 cited
  • 1985Conservation of Wall Paintings151 cited
  • 1984Conservation of wall paintings137 cited
  • 1977Technical Studies in the Field of the Fine Arts124 cited
  • 1960The craftsman's handbook : the Italian "Il libro dell' arte"120 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited
  • 1966I. Azurite and Blue Verditer49 cited
  • 1849Original treatises, dating from the XIIth to XVIIIth centuries on the arts of painting, in oil, miniature, mosaic, and on glass, of gilding, dyeing, and the preparation of colours and artificial gems : preceded by a general introduction with translations, prefaces and notes28 cited
  • 1984Scienza e restauro. Metodi di indagine28 cited
  • 1959Jahrbuch der Berliner Museen27 cited
  • 1958A Monument of Byzantine Wall Painting: The Method of Construction26 cited
  • 1976

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Ricordanze
25 cited

Cited by

  • 2018A characterization of the palette of Rafał Hadziewicz (1803–1886) through the following techniques: Infrared false colour (IRFC), XRF, FTIR, RS and SEM-EDS21 cited
  • 2014False Color and Infrared Imaging for the Identification of Pigments in Paintings20 cited
  • 2017Analyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging20 cited
  • 2017From macro to micro: An advanced macro X-ray fluorescence (MA-XRF) imaging approach for the study of painted surfaces18 cited
  • 2020An imaging and spectroscopic methodology for in situ analysis of ceiling and wall decorations in Colonial missions in Northern Mexico from XVII to XVIII centuries13 cited
  • 1994Using ultra‐violet and infra‐red techniques in the examination and documentation of historic textiles11 cited
  • 2013A Systematic Examination of Colour Development in Synthetic Ultramarine According to Historical Methods11 cited