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Vernacular Music: A Naming Compass
7 references·2 citing·27 second hop
Vernacular Music: A Naming Compass (1993)Vernacular Music: A Naming CompassMusic in America (2001)Music in AmericaMark the Music: The Life and Work of Marc Blitzstein (1990)Mark the Music: The Life and …Common Places: Readings in American Vernacular Architecture (1988)Common Places: Readings in Am…Music in the United States: A Historical Introduction (1969)Music in the United States: A…Jazz Dance: The Story of American Vernacular Dance (1969)Jazz Dance: The Story of Amer…Music and imagination (1952)Music and imaginationA History of American Graphic Humor (1865-1938) (1939)A History of American Graphic…It Don’t Mean a Thing if It Ain’t Got Musicality (2015)It Don’t Mean a Thing if It A…What is bluegrass anyway? Category formation, debate and the framing of musical genre (2012)What is bluegrass anyway? Cat…Women, Fire, and Dangerous Things (1987)Performing Rites (1996)Music Genres and Corporate Cultures (2010)“Genrefluid” Spotify Playlists and Mediations of Genre and Identity in Music Streaming (2023)Steppin' on the blues: the visible rhythms of African American dance (1997)Moving History/Dancing Cultures: A Dance History Reader, edited by Ann Dils and Ann Cooper Albright. 2001. Middletown, CT: Wesleyan University Press, xviii + 492 pp., illustrations, notes, bibliography of further readings, index. $70.00 cloth; $24.95 paper. (2002)The Role of the Djembefola in Indigenous Dance Education: Decolonial Revelations in Guinea, West Africa (2021)‘Aint I de Maine guy in dis paRade?’: towards a radical history of comic strips and their audience since Peterloo (2011)Transatlantic Picture Stories: Experiments in the Antebellum American Comic Strip (2015)Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity (1995)Dalcroze, the body, movement and musicality (2005)Modernism and Popular Music (2011)Music and Class Structure in Antebellum Boston (1991)Henry Cowell and John Cage: Intersections and Influences, 1933–1941 (2006)The Accessibility of Music: Participation, Reception, and Contact (2012)Scales of historical anthropology: an archaeology of colonial Anglo-America (1989)Recent research in the archaeology of architecture: Beyond the foundations (1996)Technological Change and the Archaeology of Emergent Colonialism in the Kingdom of Hawai‘i (2009)The Yoruba diaspora in the Atlantic world (2006)Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing (2008)Dance and Sexuality: Many Moves (2010)Marc Blitzstein's The Cradle Will Rock and Mass-Song Style of the 1930s (1989)The Imprisonment of Henry Cowell (1991)The Welcome Table : Casting for an Integrated Society (2013)‘Jazzing’ and Australia's First Jazz Band (1994)Soul Texts and the Blackness of Folk (1995)James Weldon Johnson and the Autobiography of an Ex-Colored Musician (2000)
this work references cited by second hop

References

  • 1969Jazz Dance: The Story of American Vernacular Dance205 cited
  • 1952Music and imagination82 cited
  • 1990Mark the Music: The Life and Work of Marc Blitzstein78 cited
  • 1969Music in the United States: A Historical Introduction58 cited
  • 1988Common Places: Readings in American Vernacular Architecture48 cited
  • 2001Music in America32 cited
  • 1939A History of American Graphic Humor (1865-1938)21 cited

Cited by

  • 2012What is bluegrass anyway? Category formation, debate and the framing of musical genre9 cited
  • 2015It Don’t Mean a Thing if It Ain’t Got Musicality4 cited

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