The Dance of Siva: Religion, Art and Poetry in South India

L. R. · David Michael Smith

23 citations0/0 files storedJournal of the American Oriental Society

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Indian and Buddhist Studies Study and Philosophy of Religion Cultural and Mythological Studies

Abstract

List of illustrations Acknowledgements Introduction 1. The Nataraja bronze 2. The Cidambaram myth 3. Temple, priests and ritual 4. The Hall of Consciousness, the Heart of the Universe 5. Saiva Siddhanta and Vedanta 6. The Goddess 7. Bhiksatana 8. Bhairava the Terrible and other forms of Siva 9. Saints, dancing girls, ganas and Apasmara 10. Last words Notes Bibliography Index and glossary.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 23 citations exist upstream.

Cited by

2019Ritual, Caste, and Religion in Colonial South India 2004Shiva as 'cosmic dancer': On Pallava origins for the Nataraja bronze 2016Politics, Kingship, and Poetry in Medieval South India: Moonset on Sunrise Mountain 2010KalariandKalarippayattuof Kerala, South India: nexus of the celestial, the corporeal, and the terrestrial

Imported from OpenAlex (CC0) — nothing here is generated.