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Phenomenology as a Tool for Musical Analysis
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  • 2006Edward Elgar, Modernist53 cited
  • 2016Epistemological Foundations of Objectivist and Interpretivist Research47 cited
  • 2017Audience reactions to the program notes of unfamiliar music45 cited
  • 1994Destructuring Cartesian Dualism in Musical Analysis19 cited
  • 2019Improvisation, Enaction, and Self-Assessment14 cited
  • 2006Juxtaposition and Non-motion: Varèse bridges early modernism to electroacoustic music8 cited
  • 2020Developing a Framework for the Analysis of Program Notes Written for Contemporary Classical Music Concerts7 cited
  • 2016From Necker Cubes to Polyrhythms: Fostering a Phenomenological Attitude in Music Education7 cited
  • 1989New Research Paradigms7 cited
  • 2016The Composer’s Program Note for Newly Written Classical Music: Content and Intentions6 cited
  • 2008Form and Style in the Music of U25 cited
  • 2020Music as Synergy and Non-Classical Model of Man4 cited
  • 2021Descriptive statistics3 cited

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  • 2014Dualisms of Time3 cited