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Part II:Zef/Poor White Kitsch Chique: Die Antwoord's Comedy of Degradation
4 references·3 citing·29 second hop
Part II:Zef/Poor White Kitsch Chique: Die Antwoord's Comedy of Degradation (2012)Part II:Zef/Poor White Kitsch Chique: Die…Bastardised whiteness: ‘zef’-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities (2011)Bastardised whiteness: ‘zef’-…Re-thinking ‘whiteness’? Identity, change and ‘white’ popular music in post-apartheid South Africa (2004)Re-thinking ‘whiteness’? Iden…Boys to men: Afrikaans alternative popular music 1986–1990 (1996)Boys to men: Afrikaans altern…apartheid's anthropologists: the genealogy of Afrikaner anthropology (1988)apartheid's anthropologists: …Fictional Realness: Towards a colloquial performance practice (2015)Fictional Realness: Towards a…Enter the imperceptible: Reading Die Antwoord (2015)Enter the imperceptible: Read…Multilingualism remixed: Sampling, braggadocio and the stylisation of local voice (2013)Multilingualism remixed: Samp…A Thousand Plateaus: Capitalism and Schizophrenia (1989)Woman, Native, Other: Writing Postcoloniality and Feminism (1990)Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Après l'année Érasme. Souvenirs d'un contemporain (1972)Reinventing Anthropology (1974)The Politics of Anthropology (1979)The King and I: Bronislaw Malinowski, King Sobhuza II of Swaziland and the vision of culture change in Africa (2000)Disorderly development: Globalization and the idea of “culture” in the Kalahari (2005)Essentialism and the Indigenous Politics of Recognition in Southern Africa (2014)The critique criticised: Adorno and popular music (1982)The urbanisation of African music: some theoretical observations (1982)Music as social text (1992)Rave New World: Trance-Mission, Trance-Nationalism, and Trance-scendence in the “New” South Africa (2001)Language and Identity Representation in Popular Music (2011)Leveraging poetry on the airwaves: appropriating linguistic creativity in Nigerian hip hop lyrics (2018)The Ritual Process. Structure and Anti-Structure (1971)The Field of Cultural Production: Essays on Art and Literature (1996)The Rules of Art (1996)Antwoord gooi zef liminality : of monsters, carnivals and affects (2011)Musical parody, “zef” and the politics of belonging: “Dankie vir die antwoord maar wat was die vraag?” (2014)Marabi Nights: Early South African Jazz and Vaudeville (1996)The Black Atlantic: Modernity and Double Consciousness. (1997)Of Commodities and Objects: Women and Their Representations in Nigerian Hip-Hop (2017)Speech Genres and Other Late Essays (1986)Speech Genres and Other Late Essays (1987)Language and Social Relations (2006)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2006)Bodies That Matter (2011)
this work references cited by second hop

References

  • 1988apartheid's anthropologists: the genealogy of Afrikaner anthropology98 cited
  • 2004Re-thinking ‘whiteness’? Identity, change and ‘white’ popular music in post-apartheid South Africa44 cited
  • 2011Bastardised whiteness: ‘zef’-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities26 cited
  • 1996Boys to men: Afrikaans alternative popular music 1986–199021 cited

Cited by

  • 2015Fictional Realness: Towards a colloquial performance practice7 cited
  • 2015Enter the imperceptible: Reading Die Antwoord6 cited
  • 2013Multilingualism remixed: Sampling, braggadocio and the stylisation of local voice5 cited

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