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The ancient stained windows by Nicolò di Pietro Gerini in Florence. A novel diagnostic tool for non-invasive in situ diagnosis
3 references·11 citing·43 second hop
The ancient stained windows by Nicolò di Pietro Gerini in Florence. A novel diagnostic tool for non-invasive in situ diagnosis (2007)The ancient stained windows by Nicolò di …Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Non-invasive spectroscopic me…Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-Destructive Spectroscopic…Non-Destructive Spectroscopic Investigations on Paintings Using Optical Fibers (1992)Non-Destructive Spectroscopic…Alteration of medieval stained glass windows in atmospheric medium: review and simplified alteration model (2023)Alteration of medieval staine…Comparison of Hyperspectral Imaging and Fiber-Optic Reflectance Spectroscopy for Reflectance and Transmittance Measurements of Colored Glass (2022)Comparison of Hyperspectral I…Integration of both non-invasive and micro-invasive techniques for the archaeometric study of the stained-glass window Apparizione degli Angeli in the basilica of Santa Croce in Florence, Italy (2020)Integration of both non-invas…Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching (2020)Fiber Optic Reflection Spectr…A fast non-invasive method for preliminary authentication of mediaeval glass enamels using UV–visible–NIR diffuse reflectance spectrophotometry (2020)A fast non-invasive method fo…Nanotechnology in Roman Opaque Red Glass from the 2nd Century AD. Archaeometric Investigation in Red Sectilia from the Decoration of the Lucius Verus Villa in Rome (2019)Nanotechnology in Roman Opaqu…The role of different network modifying cations on the speciation of the Co2+ complex in silicates and implication in the investigation of historical glasses (2017)The role of different network…Assessment of Transition Element Speciation in Glasses Using a Portable Transmission Ultraviolet–Visible–Near-Infrared (UV-Vis-NIR) Spectrometer (2016)Assessment of Transition Elem…Haft rang or cuerda seca? Spectroscopic approaches to the study of overglaze polychrome tiles from seventeenth century Persia (2013)Haft rang or cuerda seca? Spe…Using optical spectroscopy to characterize the material of a 16thc. stained glass window (2012)Using optical spectroscopy to…Florence baptistery: chemical and mineralogical investigation of glass mosaic tesserae (2010)Florence baptistery: chemical…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Composition and colouring agents of historical Islamic glazes measured with EPMA and μ-XRD2 (2015)Defining new technological traditions of Late Islamic Arabia: a view on Bahlā Ware from al-Ain (UAE) and the lead-barium glaze production (2019)Non-invasive scientific studies on the provenance and technology of early Islamic ceramics from Afrasiyab and Nishapur (2019)Ancient Egyptian Materials and Industries (1963)National Gallery Technical Bulletin (1979)Heterogeneous distribution of metal nanocrystals in glazes of historical pottery (2002)A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)Painting Materials: A Short Encyclopedia (2011)THE RAW MATERIALS OF EARLY GLASS PRODUCTION (1985)Primary glass from Israel and the production of glass in Late Antiquity and the early Islamic period (2000)DISCOVERY, PRODUCTION AND USE OF TIN‐BASED OPACIFIERS IN GLASSES, ENAMELS AND GLAZES FROM THE LATE IRON AGE ONWARDS: A REASSESSMENT* (2007)First archaeometric study on medieval glass found in Beja (Southern Portugal) (2016)Comparison of pXRF and LA-ICP-MS analysis of lead-rich glass mosaic tesserae (2020)Retouching and Colour Matching: The Restorer and Metamerism (1985)A Color Analysis of the Brancacci Chapel Frescoes (1991)Multiple Pigment Selection for Inpainting Using Visible Reflectance Spectrophotometry (2002)Fiber Optics Reflectance Spectroscopy: A Non-destructive Technique for the Analysis of Works of Art (2005)Non-invasive mapping methods for pigments analysis of Roman mural paintings (2020)Fluorescence of Paint and Varnish Layers (Part III) (1982)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques (2010)Pigments and Mixtures Identification by Visible Reflectance Spectroscopy (2013)IRON AND SULFUR RELATED COLORS IN ANCIENT GLASSES (1984)Study of color and structural changes in silver painted medieval glasses (2008)Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers (2011)Looking through model medieval green glasses: From color to recipe (2020)Natron as a flux in the early vitreous materials industry: sources, beginnings and reasons for decline (2005)The composition of the soda-rich and mixed alkali plant ashes used in the production of glass (2006)Natron glass production and supply in the late antique and early medieval Near East: The effect of the Byzantine-Islamic transition (2016)Ring-eye blue beads in Iron Age central Italy – Preliminary discussion of technology and possible trade connections (2022)Compositional Categories of Ancient Glass (1961)Copper in glazes of Renaissance luster pottery: Nanoparticles, ions, and local environment (2003)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Christian-Muslim contacts across the Mediterranean: Byzantine glass mosaics in the Great Umayyad Mosque of Córdoba (Spain) (2021)Comparative Investigation of Red and Orange Roman Tesserae: Role of Cu and Pb in Colour Formation (2022)The colour of ochres explained by their composition (2005)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Raman spectroscopy of copper nanoparticle‐containing glass matrices: ancient red stained‐glass windows (2009)Roman glasses coloured by dissolved transition metal ions: redox-reactions, optical spectroscopy and ligand field theory (2014)
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References

  • 1996Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass106 cited
  • 2003Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis84 cited
  • 1992Non-Destructive Spectroscopic Investigations on Paintings Using Optical Fibers39 cited

Cited by

  • 2022Comparison of Hyperspectral Imaging and Fiber-Optic Reflectance Spectroscopy for Reflectance and Transmittance Measurements of Colored Glass24 cited
  • 2017The role of different network modifying cations on the speciation of the Co2+ complex in silicates and implication in the investigation of historical glasses24 cited
  • 2019Nanotechnology in Roman Opaque Red Glass from the 2nd Century AD. Archaeometric Investigation in Red Sectilia from the Decoration of the Lucius Verus Villa in Rome23 cited
  • 2013Haft rang or cuerda seca? Spectroscopic approaches to the study of overglaze polychrome tiles from seventeenth century Persia23 cited
  • 2010Florence baptistery: chemical and mineralogical investigation of glass mosaic tesserae20 cited
  • 2016Assessment of Transition Element Speciation in Glasses Using a Portable Transmission Ultraviolet–Visible–Near-Infrared (UV-Vis-NIR) Spectrometer16 cited
  • 2020Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching15 cited
  • 2020A fast non-invasive method for preliminary authentication of mediaeval glass enamels using UV–visible–NIR diffuse reflectance spectrophotometry15 cited
  • 2012

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Using optical spectroscopy to characterize the material of a 16thc. stained glass window
13 cited
  • 2020Integration of both non-invasive and micro-invasive techniques for the archaeometric study of the stained-glass window Apparizione degli Angeli in the basilica of Santa Croce in Florence, Italy12 cited
  • 2023Alteration of medieval stained glass windows in atmospheric medium: review and simplified alteration model10 cited