ACCESS DENIED: Godard Palestine Representation

Niels Niessen

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Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

Can cinema testify to the political injustices of its historical moment? Departing from a close reading of Jean-Luc Godard's Film socialisme (2010), and in particular the film's representation of Palestine, the following article argues that this question connects Godard's early work, through his video period, to his recent engagement with digital technologies.

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References

1991Expressionism in philosophy: Spinoza 2007The Virtual Life of Film 1987Cinema 1: The Movement-Image 2008Images in Spite of All: Four Photographs from Auschwitz 2007The Future of the Image 2009Beyond the subtitle: remapping European art cinema 2001Reading the Figural, or, Philosophy after the New Media 2007Subtitles: On the Foreignness of Film

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