Verdi's Middle Period, 1849-1859: Source Studies, Analysis, and Performance Practice

Naomi André · Martin Chusid

10 citations0/0 files storedNotes

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

Abstract

During the middle phase of his career, Guiseppe Verdi adopted new compositional procedures to create some of his best-known works. Focusing on the operas he composed during this period, this volume explores Verdi's work from three interlinked perspectives: studies of the original source material, cross-disciplinary analysis of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception. In addition to offering new insights into operas such as Il Trovatore, La Traviata and Un Ballo in Maschera, this text also highlights works such as Luisa Miller and Les Vepres Siciliennes.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 10 citations exist upstream.

Cited by

2015Fauré and the Effable: Theatricality, Reflection, and Semiosis in the mélodies 2009Verdi, Solera, Piave and the libretto for Attila 1998Verdi's Luisa, a Semiserious Alpine Virgin

Imported from OpenAlex (CC0) — nothing here is generated.