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Creative industry: Lacklustre business — Swedish fashion firms' combination of business and aesthetics as a competitive strategy
16 references·2 citing·32 second hop
Creative industry: Lacklustre business — Swedish fashion firms' combination of business and aesthetics as a competitive strategy (2012)Creative industry: Lacklustre business — …The Cultural Industries (2019)The Cultural IndustriesCreative cities: the cultural industries and the creative class (2008)Creative cities: the cultural…Global sourcing: insights from the global clothing industry the case of Zara, a fast fashion retailer (2007)Global sourcing: insights fro…The Oxford Handbook of Innovation (2006)The Oxford Handbook of Innova…Offshoring in the New Global Political Economy (2005)Offshoring in the New Global …Fashion-ology (2005)Fashion-ologyFashion-ology: An Introduction to Fashion Studies (2004)Fashion-ology: An Introductio…Cultural Industries and the Production of Culture (2004)Cultural Industries and the P…The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The rise of the creative clas…Economies of Signs and Space (2002)Economies of Signs and SpaceFashion and Its Social Agendas (2000)Fashion and Its Social AgendasBritish Fashion Design: Rag Trade or Image Industry? (1998)British Fashion Design: Rag T…The Learning Economy (1994)The Learning EconomyEconomies of Signs and Space. (1994)Economies of Signs and Space.The Competitive Advantage of Nations (1991)The Competitive Advantage of …The Competitive Advantage of Nations (1990)The Competitive Advantage of …Material and symbolic production of fashion in a global creative city. Industry’s perception of the 21st century London (2022)Material and symbolic product…Hooked up to the international artistic community: external linkages, absorptive capacity and exporting by small creative firms (2016)Hooked up to the internationa…A Pure Theory of Local Expenditures (1956)From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism (1989)The Global City (2001)Creativity and tourism (2011)The rise of coworking spaces: a literature review (2015)New Studies in Philosophy, Politics, Economics, and the History of Ideas (1978)How Institutions Think. (1988)The Handbook of Economic Sociology (1994)Regional innovation systems: Institutional and organisational dimensions (1997)Tacit knowledge and the economic geography of context, or The undefinable tacitness of being (there) (2002)Bourdieu, the media and cultural production (2006)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Creative Class and Regional Growth: Empirical Evidence from Seven European Countries (2009)The Production of Culture Perspective (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)The death of the social? Re-figuring the territory of government (1996)The teacher's soul and the terrors of performativity (2003)Cities and the Creative Class (2005)Struggling with the Creative Class (2005)Toward a New Conception of the Environment-Competitiveness Relationship (1995)Dynamic capabilities and strategic management (1997)Consumer perceived value: The development of a multiple item scale (2001)One size fits all? (2005)A review of innovation research in tourism (2009)Effects of innovation types on firm performance (2011)Twenty-First Century Dis-Ease? Habitual Reflexivity Or the Reflexive Habitus (2003)Clothing and Embodiment: Men Managing Body Image and Appearance. (2004)SLOW + FASHION—an Oxymoron—or a Promise for the Future …? (2008)The Resource-Based Theory of Competitive Advantage: Implications for Strategy Formulation (1991)A Natural-Resource-Based View of the Firm (1995)A Natural-Resource-Based View of the Firm (1995)
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References

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  • 2006The Oxford Handbook of Innovation5,922 cited
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Cited by

  • 2016Hooked up to the international artistic community: external linkages, absorptive capacity and exporting by small creative firms9 cited
  • 2022Material and symbolic production of fashion in a global creative city. Industry’s perception of the 21st century London7 cited