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This essay looks at how a number of avant-garde films that work with cinematic images of the past involve spectators in the imaginative creation of historical worlds. These films are re-enactments, not in the sense of offering re-creations of specific historical events, but in the sense of involving spectators in an experience that offers them a feeling for the past.
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Stored only when both papers are in the corpus — 16 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.