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Southwestern Indian Ritual Drama
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Southwestern Indian Ritual Drama (1979)Southwestern Indian Ritual DramaA Sensory Approach to Exotica, Ritual Practice, and Cosmology at Chaco Canyon† (2015)A Sensory Approach to Exotica…The Historical Certainty of the Interpretively Uncertain: Non‐Referentiality and Georgian Modernity (2011)The Historical Certainty of t…Chapter 9 Sīna ba Sīna or “From Father to Son” (2009)Chapter 9 Sīna ba Sīna or “Fr…Chapter 7 Music in Urban Space (2009)Chapter 7 Music in Urban SpaceChapter 11 Modes of Theorizing in Iranian Khorasan (2009)Chapter 11 Modes of Theorizin…“Where obscurity is a virtue”: The mystique of unintelligibility in Santería ritual (2005)“Where obscurity is a virtue”…Ragtime and early jazz (1998)Ragtime and early jazzPopular song and popular music on stage and film (1998)Popular song and popular musi…Plays and playwrights: to 1800 (1998)Plays and playwrights: to 1800Paratheatricals and popular stage entertainment (1998)Paratheatricals and popular s…Art music from 1800 to 1860 (1998)Art music from 1800 to 1860American theatre in context, from the beginnings to 1870 (1998)American theatre in context, …African American music to 1900 (1998)African American music to 1900Music and Language (1994)Music and Languagedialogic dreams: creative selves coming into life in the flow of time (1994)dialogic dreams: creative sel…II. On Dance Ethnography (1991)II. On Dance EthnographyHow To Do Things With Words (1975)Explorations in the Ethnography of Speaking (1989)Natural Histories of Discourse. (1997)A social anthropology of ghosts in twenty-first-century America (2014)Ritual language (2014)Typology of Secret Languages and Linguistic Taboos (2017)Marxism and the philosophy of language (1973)Outline of a Theory of Practice (1977)The Dialogic Imagination: Four Essays (1981)Perspectivas antropológicas sobre la memoria en contextos de diversidad y desigualdad (2011)Sisyawaytii tarawaytii : sifflements serpentins et autres voix d’esprits dans le chamanisme quechua du haut Pastaza (Amazonie péruvienne) (2011)Learning to Hunt by Tending the Fire: Xavante Youth, Ethnoecology, and Ceremony in Central Brazil (2015)The Rites Of Passage (1961)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)“Everything That Really Matters”: Social Suffering, Subjectivity, and the Remaking of Human Experience in a Disordering World (1997)Doing anthropology in sound (2004)Outline of a Theory of Practice (2007)The Audacity of Affect: Gender, Race, and History in Linguistic Accounts of Legitimacy and Belonging (2009)Language: An Introduction to the Study of Speech (1922)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Interpretation of Cultures (1974)Writing Culture: The Poetics and Politics of Ethnography (1986)Whiteness and the Performance of Race in American Ballroom Dance (2007)Writing A Dance: Epistemology for Dance Research (2010)Exotic Identities: Dance, Difference, and Self-fashioning (2011)The Interpretation of Cultures (2017)Anatomy of Criticism (1957)The Black Atlantic: Modernity and Double Consciousness (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Filmed Musical (2012)The Television Musical (2012)Tin Pan Alley Songs on Stage and Screen before World War II (2012)Subculture: The Meaning of Style. (1981)The structures of musical life (2001)The (Mis)Representation of African American Music: The Role of the Fiddle (2016)The Constitution of Society. Outline of the Theory of Structuration (1984)Situated Learning (1991)An Approach to Musical Rhythm in Agbadza (2019)Layers and Elasticity in the Rhythm of Noh Songs (2019)Thought and Play in Musical Rhythm (2019)The Visible Hand: The Managerial Revolution in American Business (1978)Discovering the News: A Social History of American Newspapers (1979)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)Censorship of the American theatre in the twentieth century (2004)Theatre, Society and the Nation: Staging American Identities (2004)American musical theatre before the twentieth century (2001)Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess (2001)Why do they start to sing and dance all of a sudden? Examining the film musical (2001)
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  • 1994Music and Language394 cited
  • 1991II. On Dance Ethnography79 cited
  • 1998Art music from 1800 to 186047 cited
  • 2005“Where obscurity is a virtue”: The mystique of unintelligibility in Santería ritual42 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 1998American theatre in context, from the beginnings to 187038 cited
  • 1994dialogic dreams: creative selves coming into life in the flow of time36 cited
  • 1998African American music to 190025 cited
  • 2011The Historical Certainty of the Interpretively Uncertain: Non‐Referentiality and Georgian Modernity22 cited
  • 2009Chapter 11 Modes of Theorizing in Iranian Khorasan21 cited
  • 2009Chapter 7 Music in Urban Space21 cited
  • 1998Plays and playwrights: to 180019 cited
  • 1998Ragtime and early jazz17 cited
  • 2015A Sensory Approach to Exotica, Ritual Practice, and Cosmology at Chaco Canyon†15 cited
  • 2009Chapter 9 Sīna ba Sīna or “From Father to Son”14 cited
  • 1998

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Paratheatricals and popular stage entertainment
11 cited