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Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China
9 references·16 citing·35 second hop
Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)Analytical study of traditional decorativ…Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art (2003)Analytical Pyrolysis as Diagn…Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Copper and Bronze in Art: Cor…In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers (2001)In-situ pyrolysis and silylat…Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide (2000)Analysis of anthraquinoid and…Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry (1998)Characterisation of standard …The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)The potential of pyrolysis—ga…2. Ultramarine Blue, Natural and Artificial (1966)2. 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usitata using in situ pyrolysis/silylation-gas chromatography mass spectrometry (2015)Characterisation of oriental …A multi-analytical approach to investigate date-unknown paintings of Chinese Taoist priests (2015)A multi-analytical approach t…Microscopic techniques (LM, SEM) and a multi-analytical approach (EDX, FTIR, GC/MS, Py-GC/MS) to characterise the decoration technique of the wooden ceiling of the House of the Telephus Relief in Herculaneum (Italy) (2014)Microscopic techniques (LM, S…A scientific study of the pigments in the wall paintings at Jokhang Monastery in Lhasa, Tibet, China (2014)A scientific study of the pig…Polychromic structures and pigments in Guangyuan Thousand-Buddha Grotto of the Tang Dynasty (China) (2012)Polychromic structures and pi…The Organic Chemistry of Museum Objects (1988)Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Analysis of organic colouring and binding components in colour layer of 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this work references cited by second hop

References

  • 2002Copper and Bronze in Art: Corrosion, Colorants, Conservation409 cited
  • 1855The natural history of Pliny113 cited
  • 1962A History of Building Materials111 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited
  • 1993The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media81 cited
  • 2003Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art73 cited
  • 2000Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide61 cited
  • 2001In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers61 cited
  • 1998Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry59 cited

Cited by

  • 2020“A methodological assessment of the importance of physical values in architectural conservation using Shannon entropy method”47 cited
  • 2020Degradation of emerald green: scientific studies on multi-polychrome Vairocana Statue in Dazu Rock Carvings, Chongqing, China46 cited
  • 2012Polychromic structures and pigments in Guangyuan Thousand-Buddha Grotto of the Tang Dynasty (China)34 cited
  • 2021Analytical pyrolysis applied to the characterisation and identification of Asian lacquers in cultural heritage samples – A review

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33 cited
  • 2015The identification of binding agent used in late Shang Dynasty turquoise-inlayed bronze objects excavated in Anyang29 cited
  • 2017The degradation of Burmese lacquer (thitsi) as observed in samples from two cultural artefacts28 cited
  • 2021Study on the pigments of Chinese architectural colored drawings in the Altar of Agriculture (Beijing, China) by portable Raman spectroscopy and ED-XRF spectrometers27 cited
  • 2020Analysis of an Ancient Architectural Painting from the Jiangxue Palace in the Imperial Museum, Beijing, China25 cited
  • 2015Characterisation of oriental lacquers from Rhus succedanea and Melanorrhoea usitata using in situ pyrolysis/silylation-gas chromatography mass spectrometry24 cited
  • 2015A multi-analytical approach to investigate date-unknown paintings of Chinese Taoist priests24 cited
  • 2014A scientific study of the pigments in the wall paintings at Jokhang Monastery in Lhasa, Tibet, China23 cited
  • 2015Characterization of Tang Dynasty lamp oil remains by using pyrolysis gas chromatography and mass spectrometry21 cited
  • 2020Investigation of Ancient Architectural Painting from the Taidong Tomb in the Western Qing Tombs, Hebei, China21 cited
  • 2019The evolution of the materials used in the yun technique for the decoration of Burmese objects: lacquer, binding media and pigments19 cited
  • 2014Microscopic techniques (LM, SEM) and a multi-analytical approach (EDX, FTIR, GC/MS, Py-GC/MS) to characterise the decoration technique of the wooden ceiling of the House of the Telephus Relief in Herculaneum (Italy)17 cited
  • 2022Investigation on the Painting Materials and Profile Structures Used in Ancient Chinese Folk Architectural Paintings by Multiple Analytical Methods17 cited