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Rock in a Hard Place: Grassroots Cultural Production in the Post-Elvis Era
16 references·13 citing·30 second hop
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References

  • 1993American Apartheid: Segregation and the Making of the Underclass.6,193 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 2019Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002)3,595 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 2009Handbook of Adolescent Psychology2,938 cited
  • 1980Handbook of Adolescent Psychology2,222 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 1982Cultural Capital and School Success: The Impact of Status Culture Participation on the Grades of U.S. High School Students1,800 cited
  • 2001Creative Industries: Contracts between Art and Commerce1,210 cited
  • 1993American apartheid: segregation and the making of the underclass1,144 cited
  • 1965Delinquency and Drift1,076 cited
  • 1985Cultural Capital, Educational Attainment, and Marital Selection952 cited
  • 1991Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations.859 cited
  • 2018Delinquency and Drift645 cited
  • 1978Power and Ideology in Education.609 cited
  • 1985The Cycle of Popularity: Interpersonal Relations Among Female Adolescents

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581 cited

Cited by

  • 2011Reparative musicing: thinking on the usefulness of social capital theory within music therapy85 cited
  • 2016Gender and the Artist Archetype: Understanding Gender Inequality in Artistic Careers73 cited
  • 2014Grunting Alone? Online Gender Inequality in Extreme Metal Music26 cited
  • 2009Playing, Shopping, and Working as Rock Musicians24 cited
  • 2016Making It in a Cover Music Scene: Negotiating Artistic Identities in a “Kmart‐Level Market”23 cited
  • 2019“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content15 cited
  • 2006Negotiating and Practicing Performance: An Ethnographic Study of a Musical Open Mic in Brooklyn, New York15 cited
  • 2017Gender and Performance Capital among Local Musicians12 cited
  • 2015YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers11 cited
  • 2009Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy10 cited
  • 2025The Cultural Field of Queer Nightlife: Organizations, Artists, and Curatorial Activism10 cited
  • 2010Heterosexuality Is Totally Metal: Ritualized Community and Separation at a Local Music Club9 cited
  • 2012Performing Gender by Performing Music: Constructions of Masculinities in a College Music Scene5 cited