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Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand
4 references·0 citing·11 second hop
Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand (2015)Beyoncé’s Response (eh?): Feeling the Ihi…The Tourist State: Performing Leisure, Liberalism, and Race in New Zealand (2011)The Tourist State: Performing…Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas (2006)Pacific Performances: Theatri…Games for Actors and Non-Actors (2005)Games for Actors and Non-Acto…The physicality of Māori message transmission - Ko te tinana, he waka tuku kōrero (2004)The physicality of Māori mess…Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific (1993)Mimesis and alterity: a particular history of the senses (1993)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Intercultural Theatre today (2010) (2010)Gender on the Edge (2014)Theaterwissenschaft postkolonial/dekolonial (2022)Deference, Dissent, and Dispute Resolution: An Experimental Intervention Using Mass Media to Change Norms and Behavior in Rwanda (2009)Critical participatory action research as public science. (2012)Hegemonic masculinity: combining theory and practice in gender interventions (2015)Colonizing space and commodifying place: tourism's violent geographies (2016)Ichiro Kagiyama in Early Twentieth Century Sydney (2017)
this work references cited by second hop

References

  • 2005Games for Actors and Non-Actors852 cited
  • 2006Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas63 cited
  • 2011The Tourist State: Performing Leisure, Liberalism, and Race in New Zealand26 cited
  • 2004The physicality of Māori message transmission - Ko te tinana, he waka tuku kōrero14 cited

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