Materials and Techniques of Twentieth Century Argentinean Murals

Patrizia Moretti · Damasia Gallegos · Fernando Marte͏ · Antonio Sgamellotti · Costanza Miliani

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Cultural Heritage Materials Analysis Historical Art and Architecture Studies Building materials and conservation

Abstract

In 1946 TAM (Taller de Arte Mural) a group of famous Argentine artists namely Castagnino, Spilimbergo, Urruchúa and Colmeiro, realized the decoration of four lunettes placed above the entrances of the Galerías Pacífico in Buenos Aires. Twenty-four samples coming from these lunettes have been analyzed by means the infrared transmission micro-spectroscopy to determine the composition of the preparation layer (mainly composed by gypsum) and the nature of binder (a drying oil), while the investigation of Raman micro-spectroscopy has allowed to identify the inorganic pigments and the synthetic organic dyes present.

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References

2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments 2008Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection 2010On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy 2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting 2006Raman study of synthetic organic pigments and dyes in early lithographic inks (1890–1920)2010Study of the stability of a series of synthetic colorants applied with styrene-acrylic copolymer, widely used in contemporary paintings, concerning the effects of accelerated ageing

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2015Analysis on Mural Structures and Components of the Tombs in Liao Dynasty (A.D. 907–A.D. 1125)

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