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Exploring the Rhythm of the Palestrina Style
16 references·1 citing·28 second hop
Exploring the Rhythm of the Palestrina Style (2012)Exploring the Rhythm of the Palestrina St…Language, consciousness, culture: essays on mental structure (2008)Language, consciousness, cult…Music in the Galant Style (2007)Music in the Galant StyleLanguage, Consciousness, Culture (2007)Language, Consciousness, Cult…Hidden Markov Models in Finance (2007)Hidden Markov Models in Finan…The Cambridge History of Western Music Theory (2002)The Cambridge History of West…Metrical Stress Theory: Principles and Case Studies (1995)Metrical Stress Theory: Princ…Style and music: theory, history, and ideology (1990)Style and music: theory, hist…A classic turn of phrase: music and the psychology of convention (1988)A classic turn of phrase: mus…A Generative Theory of Tonal Music (1984)A Generative Theory of Tonal …Entropy as a Measure of Style: The Influence of Sample Length (1983)Entropy as a Measure of Style…Le Istitutioni Harmoniche (1967)Le Istitutioni HarmonicheThe Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum (1965)The Study of Counterpoint: Fr…ASPECTS OF THE THEORY OF SYNTAX (1964)ASPECTS OF THE THEORY OF SYNT…L'antica musica : ridotta alla moderna prattica (1959)L'antica musica : ridotta all…Syntactic Structures (1957)Syntactic StructuresThe Style of Palestrina and the Dissonance (1946)The Style of Palestrina and t…Dynamic cluster structure and predictive modelling of music creation style distributions (2022)Dynamic cluster structure and…The Imaginary Museum of Musical Works (1994)Action, Criticism and Theory for Music Education (2004)Schema Theory as a Construction Grammar (2015)A prosody tutorial for investigators of auditory sentence processing (1996)A Maximum Entropy Model of Phonotactics and Phonotactic Learning (2008)The Syntax‐Phonology Interface (2011)On Compositional Process in the Fifteenth Century (1987)The Cambridge History of Literary Criticism (1999)Music and rhetoric (2002)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)The Schenker Project (2007)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Basic Emotions or Ur-Emotions? (2011)The Conceptual mind: new directions in the study of concepts (2016)Infants expect ingroup support to override fairness when resources are limited (2018)Principles and Practice in Second Language Acquisition (1983)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)Mindfulness-Based Interventions in Context: Past, Present, and Future (2003)Syncopation in rock: a perceptual perspective (1999)The Question of Purpose in Music Theory: Description, Suggestion, and Explanation (2001)The nature of the language faculty and its implications for evolution of language (Reply to Fitch, Hauser, and Chomsky) (2005)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Rules and representations (1980)From usage to grammar: The mind's response to repetition (2006)Cognitive Grammar (2008)Differential Ineffability and the Senses (2014)
this work references cited by second hop

References

  • 1964ASPECTS OF THE THEORY OF SYNTAX13,579 cited
  • 1957Syntactic Structures7,857 cited
  • 1995Metrical Stress Theory: Principles and Case Studies1,925 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 2007Music in the Galant Style432 cited
  • 2007Language, Consciousness, Culture362 cited
  • 1967Le Istitutioni Harmoniche258 cited
  • 1984A Generative Theory of Tonal Music247 cited
  • 2008Language, consciousness, culture: essays on mental structure237 cited
  • 1988A classic turn of phrase: music and the psychology of convention151 cited
  • 1946The Style of Palestrina and the Dissonance140 cited
  • 2007Hidden Markov Models in Finance138 cited
  • 1983Entropy as a Measure of Style: The Influence of Sample Length133 cited
  • 1959L'antica musica : ridotta alla moderna prattica69 cited
  • 1965The Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum68 cited

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  • 2022Dynamic cluster structure and predictive modelling of music creation style distributions8 cited