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The cinematic representation of Jesus reflects issues current in both popular piety and contemporary theology. However most critiques fail to engage with the portrait of Jesus that arises if one considers and takes seriously the notion of Jesus as ‘leading man’. This article seeks to engage with three issues that arose out of teaching a ‘Jesus at the Movies’ course: What does the choice of ‘Jesus actor’ signify? Does he succeed as a traditional ‘leading man'? How do you represent the incarnation? These three issues are discussed in relation to the five films studied and the problem of ‘representing Jesus’ is critiqued.
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