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Cited by

• 2007THE OBSERVATION OF PARTICIPATION AND THE EMERGENCE OF PUBLIC ETHNOGRAPHY187 cited
• 1999The State of Culture Theory in the Anthropology of Southeast Asia76 cited
• 1973Changing Styles of Anthropological Work42 cited
• 2006The Photogenic Cannot Be Tamed: Margaret Mead and Gregory Bateson's Trance and Dance in Bali38 cited
• 2010Transnational, Translocal, Transcultural: Some Remarks on the Relations between Hindu-Balinese and Ethnic Chinese in Bali34 cited
• 2000Shamanism, Psychosis and Autonomous Imagination31 cited
• 1996The Voice of the Winds Versus the Masters of Cure: Contested Notions of Spirit Possession Among the Lauje of Sulawesi27 cited
• 1987Malinowski, Rivers, Benedict and Others27 cited
• 1973Music and Trance in Central Java24 cited
• 2002Remembering to live: illness at the intersection of anxiety and knowledge in rural Indonesia21 cited
• 1995“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand17 cited
• 2011Staging the Sacred: Musical Structure and Processes of the Gnawa Lila in Morocco15 cited
• 1996Truthful Trickery: Shamanism, Acting and Reality12 cited
• 2012Music of the Gnawa of Morocco : evolving spaces and times