SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’
0 references·8 citing·30 second hop
‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’ (1984)‘The authenticity movement can become a p…A twist on the historically authentic musical performance (2024)A twist on the historically a…Beyond Reason (2021)Beyond ReasonMultiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan (2016)Multiple Authenticities in Mo…à propos d’un certain jargon de l’authenticité musicale (2014)à propos d’un certain jargon …An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change (2013)An Introduction to Music Revi…The business of authenticity: a false relation? (2011)The business of authenticity:…The Grateful Dead In Concert: Essays on Live Improvisation (2010)The Grateful Dead In Concert:…Phronesis in Musical Performance (1993)Phronesis in Musical Performa…The Ritual Process. Structure and Anti-Structure (1971)The Ritual Process: Structure and Anti-Structure (1976)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Liveness and the Grateful Dead (2019)How the Grateful Dead Learned to Jam (2023)Aristotle's De Motu Animalium (1979)Essays on Aristotle’s Ethics (1980)Patterns of Moral Complexity (1987)A critical analytic literature review of virtue ethics for social work : beyond codified conduct towards virtuous social work (2011)Jazz Etiquette (2021)Classical music as ethical practice: A professional perspective (2024)Music in Everyday Life (2000)The field of Cultural Production (2002)Why producers of music use discourses of consumption (and why we shouldn’t think that makes them prosumers) (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)How Societies Remember (1989)All that is solid melts into air : the experience of modernity (1995)Modernity at Large: Cultural Dimensions of Globalization. (1998)Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century (1983)Western music and its others : difference, representation, and appropriation in music (2000)Authenticity as authentication (2002)The Interpretation of Cultures: Selected Essays. (1975)The Social Life of Things (1986)The Predicament of Culture (1988)The Postmodern Condition: A Report on Knowledge (1984)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)We have never been modern (1994)Languages of Art (1976)Two Distinctions in Goodness (1983)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2013An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change33 cited
  • 2010The Grateful Dead In Concert: Essays on Live Improvisation29 cited
  • 2021Beyond Reason23 cited
  • 1993Phronesis in Musical Performance11 cited
  • 2016Multiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan9 cited
  • 2011The business of authenticity: a false relation?8 cited
  • 2014à propos d’un certain jargon de l’authenticité musicale4 cited
  • 2024A twist on the historically authentic musical performance3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work