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Invented Plainsongs in Keyboard Settings Ascribed to Tomkins and Gibbons
12 references·0 citing·17 second hop
Invented Plainsongs in Keyboard Settings Ascribed to Tomkins and Gibbons (2014)Invented Plainsongs in Keyboard Settings …Orlando Gibbons and the Gibbons Family of Musicians (2018)Orlando Gibbons and the Gibbo…Music Manuscripts of George Iliffe from Stanford Hall, Leicestershire, including a New Ascription to Byrd (2007)Music Manuscripts of George I…Re-examining Tudor music. A little-known keyboard plainsong setting in the Fitzwilliam virginal book: a key to Tallis's compositional process? (2001)Re-examining Tudor music. A l…A little-known keyboard plainsong setting in the Fitzwilliam Virginal Book: a key to Tallis's compositional process? (2001)A little-known keyboard plain…Tudor Keyboard Music c. 1520-1580 (1997)Tudor Keyboard Music c. 1520-…British keyboard music to c.1660: sources and thematic index (1997)British keyboard music to c.1…The consort and keyboard music of William Byrd (1978)The consort and keyboard musi…English Keyboard Music Before the Nineteenth Century (1973)English Keyboard Music Before…English and Scottish psalm and hymn tunes c.1543-1677 (1953)English and Scottish psalm an…A Plain and Easy Introduction to Practical Music (1952)A Plain and Easy Introduction…“PRETTY WAYES: FOR YOUNG BEGINNERS TO LOOKE ON” (1947)“PRETTY WAYES: FOR YOUNG BEGI…A Plaine and Easie Introduction to Practicall Musicke (1938)A Plaine and Easie Introducti…Music at the court of Henry VIII (1962)Source materials and the interpretation of music : a memorial volume to Thurston Dart (1981):William Byrd: Gentleman of the Chapel Royal (1998)The Cambridge History of American Music (1998)Vocal performance in the seventeenth century (2012)The Cambridge History of Sixteenth-Century Music (2019)Byrd's Settings of the Ordinary of the Mass (1979)War and Music in the Sixteenth Century (1989)‘My Ladye Nevell’ Revealed (2005)The Roman Frescobaldi Tradition, c. 1640-1670 (1980)William Ellis and the transmission of continental keyboard music in restoration England (2001)Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain (2012)An Elizabethan Tune List from Lleweni Hall, North Wales (2005)Musica practica: music theory as pedagogy (2002)Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony (2018)The etymology and early history of ‘addiction’ (2019)Prayer and Performance in Early Modern English Literature (2018)
this work references cited by second hop

References

  • 1938A Plaine and Easie Introduction to Practicall Musicke147 cited
  • 1978The consort and keyboard music of William Byrd30 cited
  • 1952A Plain and Easy Introduction to Practical Music26 cited
  • 2018Orlando Gibbons and the Gibbons Family of Musicians23 cited
  • 1973English Keyboard Music Before the Nineteenth Century18 cited
  • 1953English and Scottish psalm and hymn tunes c.1543-167713 cited
  • 1997British keyboard music to c.1660: sources and thematic index6 cited
  • 2007Music Manuscripts of George Iliffe from Stanford Hall, Leicestershire, including a New Ascription to Byrd3 cited
  • 1947“PRETTY WAYES: FOR YOUNG BEGINNERS TO LOOKE ON”3 cited
  • 2001A little-known keyboard plainsong setting in the Fitzwilliam Virginal Book: a key to Tallis's compositional process?3 cited
  • 1997Tudor Keyboard Music c. 1520-15803 cited
  • 2001Re-examining Tudor music. A little-known keyboard plainsong setting in the Fitzwilliam virginal book: a key to Tallis's compositional process?2 cited

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