SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Furniture Music: The Phonograph as Furniture, 1900?1930
15 references·1 citing·29 second hop
Furniture Music: The Phonograph as Furniture, 1900?1930 (2006)Furniture Music: The Phonograph as Furnit…History of American cinema (2019)History of American cinemaCapturing sound: how technology has changed music (2005)Capturing sound: how technolo…Rethinking media change: the aesthetics of transition (2004)Rethinking media change: the …The Audible Past (2003)The Audible PastRecorded Music in American Life: The Phonograph and Popular Memory, 1890-1945 (1999)Recorded Music in American Li…Little labels--big sound: small record companies and the rise of American music (1999)Little labels--big sound: sma…An international history of the recording industry (1998)An international history of t…America on record: a history of recorded sound (1996)America on record: a history …‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–59 (1996)‘Turn it down!’ she shrieked:…Repeated Takes: A Short History of Recording and its Effects on Music (1995)Repeated Takes: A Short Histo…AudienceMaking: How the Media Create the Audience (1994)AudienceMaking: How the Media…The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1992)The Dialectics of Seeing: Wal…Make Room for TV (1992)Make Room for TVAdvertising the American Dream (1985)Advertising the American DreamFrom Tin Foil to Stereo; The Evolution of the Phonograph (1960)From Tin Foil to Stereo; The …Sound Studies: Missing the (Popular) Music for the Screens? (2008)Sound Studies: Missing the (P…Popular Music and Communication. (1988)The "Freer Men" of Ham Radio: How a Technical Hobby Provided Social and Spatial Distance (2003)Golden Ears and Meter Readers (2004)Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space (2011)Cultures of Music Piracy (2004)On the Mediation of Everything: ICA Presidential Address 2008 (2009)Digital Scholarly Editing (2016)A Sweet Lullaby for World Music (2000)The Production of Culture Perspective (2004)Soundscapes: Toward a Sounded Anthropology (2010)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Relevance of Algorithms (2014)Digitalization (2016)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)UK children go online: surveying the experiences of young people and their parents (2004)Always already new: media, history, and the data of culture (2007)Historical and Personal Nostalgia in Advertising Text: TheFin de siècleEffect (1992)A Simple Theory of Advertising as a Good or Bad (1993)Brands (2005)When Is a Photograph Worth a Thousand Words? (2003)The Childhood of Human Rights: The Kodak on the Congo (2006)Gangster in guerilla face (2007)From Celebrity to Influencer: Tracing the Diffusion of Celebrity Value across the Data Stream (2015)Computing the everyday: Social media as data platforms (2017)The Nested Precarities of Creative Labor on Social Media (2021)You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard (2001)Building International Empires of Sound: Concentrations of Power and Property in the “Global” Music Market (2005)Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)
this work references cited by second hop

References

  • 2003The Audible Past1,821 cited
  • 1992Make Room for TV1,423 cited
  • 1985Advertising the American Dream1,298 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 1995Repeated Takes: A Short History of Recording and its Effects on Music433 cited
  • 1996‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–59329 cited
  • 1992The Dialectics of Seeing: Walter Benjamin and the Arcades Project265 cited
  • 1996America on record: a history of recorded sound209 cited
  • 1994AudienceMaking: How the Media Create the Audience188 cited
  • 2004Rethinking media change: the aesthetics of transition171 cited
  • 1998An international history of the recording industry146 cited
  • 1999Recorded Music in American Life: The Phonograph and Popular Memory, 1890-194594 cited
  • 1999Little labels--big sound: small record companies and the rise of American music60 cited
  • 2019History of American cinema35 cited
  • 1960From Tin Foil to Stereo; The Evolution of the Phonograph23 cited

Cited by

  • 2008

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Sound Studies: Missing the (Popular) Music for the Screens?
6 cited