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Cited by

• 1984The story schema : universal and culture-specific properties92 cited
• 1982Sixteen Cowries: Yoruba Divination from Africa to the New World85 cited
• 2011Why Do We Quote? The Culture and History of Quotation58 cited
• 2010Capturing the dynamics of narrative development in an oral storytelling performance: A multimodal perspective36 cited
• 1989Communication and technology31 cited
• 2005The How of Literature29 cited
• 2014The Roles of Oromo-Speaking Children in the Storytelling Tradition in Ethiopia23 cited
• 2018Folktales, Reality, and Childhood in Ethiopia: How Children Construct Social Values through Performance of Folktales22 cited
• 1994Oral and Written Gospel: A Critique of Werner Kelber21 cited
• 2001Rank and relationships in the evolution of spoken language20 cited
• 2005Manifestations of Play as Aesthetic in African Theatre for Development19 cited
• 2003Oral Tradition: Do Storytellers Lie?18 cited
• 1990What is Orality — if Anything?17 cited
• 2001The Sarungano and Shona Storytelling: an African Theatrical Paradigm17 cited
• 2007Oral narrative as ideological weapon for subordinating women: the case of Jimma Oromo*