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Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925
0 references·12 citing·31 second hop
Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925 (1995)Machines, Music, and the Quest for Fideli…Fine-Grained Analysis: Talk Therapy, Media, and the Microscopic Science of the Face-to-Face (2019)Fine-Grained Analysis: Talk T…Listening for the hiss: lo-fi liner notes as curatorial practices (2018)Listening for the hiss: lo-fi…Crowds, Clouds, and Idols: New Dynamics and Old Agendas in the Music Industry, 1982-2012 (2015)Crowds, Clouds, and Idols: Ne…Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography (2012)Phonograph Toys and Early Sou…“Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power (2012)“Rise and Obey the Command”: …Visualizing Piano Playing, 1890–1930 (2011)Visualizing Piano Playing, 18…Post-Fidelity: A New Age of Music Consumption and Technological Innovation (2011)Post-Fidelity: A New Age of M…Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey (2010)Mixing for Parlak and Bowing …John Philip Sousa and “The Menace of Mechanical Music” (2009)John Philip Sousa and “The Me…Looking for the Band: Walter Benjamin and the Mechanical Reproduction of Jazz (2007)Looking for the Band: Walter …Plastic Empathy: The Ghost of Robert Whitman (2006)Plastic Empathy: The Ghost of…Pop Sounds (2003)Pop SoundsRepeated Takes: A Short History of Recording and its Effects on Music (1995)ON THE FETISH CHARACTER IN MUSIC AND THE REGRESSION OF LISTENING (2005)The Work of Art in the Age of Mechanical Reproduction (2007)Doing Cultural Studies: The Story of the Sony Walkman (1997)The Audible Past (2003)How Users Matter: The Co-Construction of Users and Technology (2006)Frame Analysis: An Essay on the Organization of Experience (1975)The Subject and Power (1982)The construction of social reality (1995)Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York (1987)Sound theory/sound practice (1993)Beyond the soundtrack: representing music in cinema (2008)Eat what you hear: Gustasonic discourses and the material culture of commercial sound recording (2017)Speaking into the air: a history of the idea of communication (2000)Specters of Marx (2012)11. The Phantasmagoric Dispositif : An Assembly of Bodies and Images in Real Time and Space (2020)Illuminations: Essays and Reflections (1968)Remix: making art and commerce thrive in the hybrid economy (2009)Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film (2015)Creating Country Music (1997)Creating Country Music: Fabricating Authenticity. (1999)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Professional Vision (1994)Indexical order and the dialectics of sociolinguistic life (2003)From Craft to Art (1979)Wired for sound: engineering and technologies in sonic cultures (2005)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Theory and Method in Popular Music Analysis: Text and Meaning (2012)Musicians and the politics of dignity in South India (2013)Popular Music Studies and the Problems of Sound, Society and Method (2013)Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch (2020)
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Cited by

  • 2009John Philip Sousa and “The Menace of Mechanical Music”31 cited
  • 2011Visualizing Piano Playing, 1890–193023 cited
  • 2018Listening for the hiss: lo-fi liner notes as curatorial practices21 cited
  • 2010Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey21 cited
  • 2012Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography19 cited
  • 2011Post-Fidelity: A New Age of Music Consumption and Technological Innovation15 cited
  • 2019Fine-Grained Analysis: Talk Therapy, Media, and the Microscopic Science of the Face-to-Face12 cited
  • 2006Plastic Empathy: The Ghost of Robert Whitman7 cited
  • 2007Looking for the Band: Walter Benjamin and the Mechanical Reproduction of Jazz6 cited
  • 2012“Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power6 cited
  • 2003Pop Sounds5 cited
  • 2015Crowds, Clouds, and Idols: New Dynamics and Old Agendas in the Music Industry, 1982-20123 cited

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