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Minstrel show and vaudeville house: The Australian popular stage, 1838–1914∗
16 references·0 citing·32 second hop
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this work references cited by second hop

References

  • 1974The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-19141,075 cited
  • 1983Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830-1870559 cited
  • 1987Imperialism and Popular Culture448 cited
  • 1981At Odds: Women and the Family in America from the Revolution to the Present388 cited
  • 1980The Rise and Fall of Marvellous Melbourne293 cited
  • 1979Colour, Class, and the Victorians: English Attitudes to the Negro in the Mid-Nineteenth Century242 cited
  • 1986Historical reconsiderations IV: The politics of respectability: Identifying the masculinist context201 cited
  • 2013The Victorian Frame of Mind178 cited
  • 2019The Manly Art148 cited
  • 1975Blackface Minstrelsy and Jacksonian Ideology104 cited
  • 1987Struggletown: Public and Private Life in Richmond 1900-1965.97 cited
  • 1980Beside the seaside: A social history of the popular seaside holiday73 cited
  • 1971Tambo and Bones: A History of the American Minstrel Stage46 cited
  • 1981English Ethiopians: British Audiences and Black-Face Acts, 1835-186544 cited
  • 1967American Vaudeville as Ritual.44 cited

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  • 1984The Australian stage : a documentary history36 cited
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