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On the Origins of the "Sonate auf Concertenart"
5 references·0 citing·14 second hop
On the Origins of the "Sonate auf Concertenart" (1993)On the Origins of the "Sonate auf Concert…Studien zur Musikwissenschaft (1989)Studien zur MusikwissenschaftMusic and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…J. S. Bach and the Status of Genre: Problems of Style in the G-Minor Sonata BWV 1029 (1987)J. S. Bach and the Status of …Breitkopf Thematic Catalogue: The Six Parts and Sixteen Supplements; 1762-1787 (1968)Breitkopf Thematic Catalogue:…Studien uber J. S. Bachs Sonaten fur ein Melodieinstrument und obligates Cembalo (1966)Studien uber J. S. Bachs Sona…Truth and Method (1960)The origins of modern musical criticism: French and Italian music, 1600-1750 (1981)Bach's Recapitulation Forms (1996)Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos (2013)The rival sirens: performance and identity on Handel's operatic stage (2014)J. S. Bach's Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology (1979)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)The Double Horn Concerto: A Specialty of the Oettingen-Wallerstein Court (1986)Telemann in the Marketplace: The Composer as Self-Publisher (2005)Schubert's Sonata Form and Brahms's First Maturity (1978)Haydn's Theater Symphonies (1990)W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250 (2020)
this work references cited by second hop

References

  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1989Studien zur Musikwissenschaft71 cited
  • 1968Breitkopf Thematic Catalogue: The Six Parts and Sixteen Supplements; 1762-178729 cited
  • 1966Studien uber J. S. Bachs Sonaten fur ein Melodieinstrument und obligates Cembalo22 cited
  • 1987J. S. Bach and the Status of Genre: Problems of Style in the G-Minor Sonata BWV 10298 cited

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