SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Motown crossover hits 1963–1966 and the creative process
5 references·3 citing·24 second hop
Motown crossover hits 1963–1966 and the creative process (1995)Motown crossover hits 1963–1966 and the c…Off the Record: An Oral History of Popular Music (1989)Off the Record: An Oral Histo…Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom (1987)Sweet Soul Music: Rhythm and …Where Did Our Love Go?: The Rise and Fall of the Motown Sound (1986)Where Did Our Love Go?: The R…Girl Groups: The Story of a Sound (1982)Girl Groups: The Story of a S…Afro-American Gospel Music: A Crystallization of the Black Aesthetic (1975)Afro-American Gospel Music: A…Investigating the origins of contemporary basics on the drum kit: an exploration of the role of the hi-hat in Anglo-American popular musics from 1960 until 1974 (2014)Investigating the origins of …Songwriters in the U.S. top forty, 1963–1966 (1997)Songwriters in the U.S. top f…When the Brill building met Lennon‐McCartney: Continuity and change in the early evolution of the mainstream pop song (1995)When the Brill building met L…All You Need Is Ears (1979)The complete Beatles recording sessions : the official story of the Abbey Road years (1988)Black Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland (2017)Conceptualizing Creativity and Strategy in the Work of Professional Songwriters (2017)The Billboard Book of Top 40 Hits (1983)Rock, the primary text: developing a musicology of rock (1993)Rock: The Primary Text (2018)The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement (2024)"Every sound there is": the Beatles' Revolver and the transformation of rock and roll (2002)The Foundations of Rock (2008)The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" (2008)“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll (1996)Lennon‐McCartney and the “Middle Eight” (1996)James Brown's ‘Superbad’ and the double-voiced utterance (1992)"I Want to See All My Friends At Once": Arthur Russell and the Queering of Gay Disco (2006)Dougie Young and political resistance in early Aboriginal country music (2019)"Nou Kwe nan Sentespri" (We Believe in the Holy Spirit): Music, Ecstasy, and Identity in Haitian Pentecostal Worship (2002)Rhythms of the Afro-Atlantic world: rituals and remembrances (2011)Searching for Roots of Entrainment and Joint Action in Early Musical Interactions (2012)Economics and the ecology of creativity: evidence from the popular music industry (2009)Black or White? Michael Jackson and the Idea of Crossover (2012)The rise of the LP: the politics of diffusion innovation in the recording industry (2016)Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)The Cambridge Companion to the Singer-Songwriter (2016)
this work references cited by second hop

References

  • 1987Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom96 cited
  • 1989Off the Record: An Oral History of Popular Music85 cited
  • 1975Afro-American Gospel Music: A Crystallization of the Black Aesthetic67 cited
  • 1982Girl Groups: The Story of a Sound47 cited
  • 1986Where Did Our Love Go?: The Rise and Fall of the Motown Sound40 cited

Cited by

  • 1995When the Brill building met Lennon‐McCartney: Continuity and change in the early evolution of the mainstream pop song11 cited
  • 2014Investigating the origins of contemporary basics on the drum kit: an exploration of the role of the hi-hat in Anglo-American popular musics from 1960 until 19744 cited
  • 1997Songwriters in the U.S. top forty, 1963–19664 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work