SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Desublimating monstrous desire: the horror of gender in new extremist cinema
11 references·0 citing·29 second hop
Desublimating monstrous desire: the horror of gender in new extremist cinema (2015)Desublimating monstrous desire: the horro…Men, Women, and Chain Saws: Gender in the Modern Horror Film (2015)Men, Women, and Chain Saws: G…The Art Cinema as a Mode of Film Practice (2012)The Art Cinema as a Mode of F…New philosophies of film: thinking images (2012)New philosophies of film: thi…The New Extremism in CinemaFrom France to Europe (2011)The New Extremism in CinemaFr…The New Extremism in Cinema (2011)The New Extremism in CinemaBrutal intimacy: analyzing contemporary French cinema (2011)Brutal intimacy: analyzing co…Cinema and Sensation (2007)Cinema and SensationCinema and Sensation (2007)Cinema and SensationMasculinity and Monstrosity (2001)Masculinity and MonstrosityMen, women, and chain saws: gender in the modern horror film (1992)Men, women, and chain saws: g…Horror and the Monstrous-Feminine: An Imaginary Abjection (1986)Horror and the Monstrous-Femi…The measurement of psychological androgyny. (1974)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Gender Trouble: Feminism and the Subversion of Identity (1991)Embodying the moral code? Thirty years of Final Girls in slasher films. (2013)“There are Certain Rules that One Must Abide by”: Predictors of Mortality in Slasher Films (2018)Personal Views: Explorations in Film (1978)Precarious lives: On girls in Mia Hansen-Løve and others (2012)The Difficult Job of Being a Girl: Key Themes and Narratives in Contemporary Western European Art Cinema by Women (2017)Fear in the News: A Discourse of Control (1999)Beyond the Rhetoric of Student Voice: new departures or new constraints in the transformation of 21st century schooling? (2001)Media and Violence: Gendering the Debates (2005)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Tourists' and travellers' social construction of Africa and Asia as risky locations (1998)Regulating The Abject (2008)Troubled everyday: the aesthetics of violence and the everyday in European art cinema (2017)Soul of the Documentary: Framing, Expression, Ethics (2015)Cruising the unknown: film as rhythm and embodied apprehension inL’Inconnu du lac/Stranger by the Lake(2013) (2018)Popular postcolonial masculinities: gangsters and soldiers in Maghrebi-French cinema (2019)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Film Festivals: Culture, People, and Power on the Global Screen (2011)Films on Ice (2015)Pornographies of Violence? Internet Spectatorship on Body Horror (2008)“There’s nothing I hate more than a racist:” (Re)centering whiteness inAmerican Horror Story: Coven (2018)Horror, personality, and threat simulation: A survey on the psychology of scary media. (2018)The eighteenth-century novel (2011)Framing, Following, Middling: Towards Methodologies of Relational Materialities (2015)Performance Philosophy — Staging a New Field (2014)Screen production enquiry: a study of five Australian doctorates (2015)Manifesto for filmmaking as organisational research (2018)
this work references cited by second hop

References

  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 2015Men, Women, and Chain Saws: Gender in the Modern Horror Film388 cited
  • 1986Horror and the Monstrous-Feminine: An Imaginary Abjection360 cited
  • 2007Cinema and Sensation198 cited
  • 2012The Art Cinema as a Mode of Film Practice123 cited
  • 2007Cinema and Sensation100 cited
  • 2012New philosophies of film: thinking images93 cited
  • 2011Brutal intimacy: analyzing contemporary French cinema39 cited
  • 2011The New Extremism in CinemaFrom France to Europe36 cited
  • 2001Masculinity and Monstrosity31 cited
  • 2011The New Extremism in Cinema30 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work