SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Authenticity and adulteration: What materials were 19th century artists really using?
1 references·5 citing·23 second hop
Authenticity and adulteration: What materials were 19th century artists really using? (1993)Authenticity and adulteration: What mater…The Art of Painting (1695)The Art of PaintingAnalytical approaches for the characterization of early synthetic organic pigments for artists’ paints (2021)Analytical approaches for the…The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts (2019)The Texture of Capitalism:Ind…Are commercial pigments reliable references for the analysis of paintings (2019)Are commercial pigments relia…A multi-analytical approach to the characterization of natural organic dyestuffs and inorganic substrates present in the 19 th -century artistic oil paints manufactured by a French art materials supplier Richard Ainès (2016)A multi-analytical approach t…A Nineteenth-Century Colourman's Terminology (2009)A Nineteenth-Century Colourma…Later nineteenth century pigments: Evidence for additions and substitutions (1995)Pigment Compendium: A Dictionary of Historical Pigments (2007)Painting Materials: A Short Encyclopedia (2011)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The natural constituents of historical textile dyes (2004)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Multi-technique characterization of madder lakes: A comparison between non- and micro-destructive methods (2018)Multi-Technique Investigation of Grave Robes from 17th and 18th Century Crypts Using Combined Spectroscopic, Spectrometric Techniques, and New-Generation Sequencing (2021)Yellow dyes in archaeological textiles: Sources, locations, identification, and challenges (2023)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)The body of the artisan: art and experience in the scientific revolution (2004)Conservation of Easel Paintings (2013)The Stones of Venice (2024)The rainbow makers: the origins of the synthetic dyestuffs industry in western Europe (1993)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)Study of UV ageing effects in modern artists’ paints with MeV-SIMS (2021)On the reliability of historic books as sources of reference samples of early synthetic dyes – The case of “The Coal Tar Colours of the Farbwerke vorm. Meister, Lucius & Brüning, Höchst on the Main, Germany – A General Part” (1896) (2023)Shedding light on the composition and degradation mechanism of dyes in historical ink's collection (19th-20th century) (2023)Chacone pour une Femme: Chaconne De Phaeton: A Performance Study (1997)Indigo used in the Haarlem Civic Guard group portraits by Frans Hals (1998)Materials and Techniques of a Spanish Renaissance Panel Painting (2007)
this work references cited by second hop

References

  • 1695The Art of Painting27 cited

Cited by

  • 2021Analytical approaches for the characterization of early synthetic organic pigments for artists’ paints19 cited
  • 2016A multi-analytical approach to the characterization of natural organic dyestuffs and inorganic substrates present in the 19 th -century artistic oil paints manufactured by a French art materials supplier Richard Ainès17 cited
  • 2009A Nineteenth-Century Colourman's Terminology9 cited
  • 2019Are commercial pigments reliable references for the analysis of paintings9 cited
  • 2019The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work