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Fantasmagorie et fabrication de l’illusion
11 references·2 citing·31 second hop
Fantasmagorie et fabrication de l’illusion (2004)Fantasmagorie et fabrication de l’illusionMelodrama and Modernity: Early Sensational Cinema and Its Contexts (2002)Melodrama and Modernity: Earl…Devices of Wonder: From the World in a Box to Images on a Screen (2001)Devices of Wonder: From the W…The Panicking Audience?: Early cinema and the 'train effect' (1999)The Panicking Audience?: Earl…Suspensions of Perception (1999)Suspensions of PerceptionLiving pictures: the origins of the movies (1999)Living pictures: the origins …Instruments and the Imagination (1998)Instruments and the Imaginati…Le grand art de la lumière et de l'ombre : archéologie du cinéma (1994)Le grand art de la lumière et…Downcast Eyes (1993)Downcast EyesThe Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Techniques of the Observer: On Vision and Modernity in the 19th Century (1990)Techniques of the Observer: O…Le dispositif (1975)Le dispositifThe Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema (2014)The Cinema of Exposure: Spiri…Le cinéma et les automates. Inquiétante étrangeté, distraction et arts machiniques (2008)Le cinéma et les automates. I…Voyages, Mesures et Instruments Une nouvelle expérience du monde au Siècle des lumières (1997)Demonstrations: sites and sights of direct action (1999)An essay towards a real character and a philosophical language (2002)The Meanings of Experience (2006)Vigilant Visualities: The Watchful Politics of the War on Terror (2007)Calculating without numbers: aesthetic governmentality in Delhi's slums (2010)Things We Could Design (2021)Mobile Screens (2012)Mobile screens: the visual regime of navigation (2012)Ethnographic Imagination (2014)Lumiere's Arrival of the Train: Cinema's Founding Myth (2004)If software is narrative: Joseph Weizenbaum, artificial intelligence and the biographies of ELIZA (2018)Deceitful Media (2021)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Data Derivatives (2011)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)Virilio and New Media (1999)Foucault’s dispositive: The perspicacity of dispositive analytics in organizational research (2014)Empathy and Sympathy: Two Contemporary Models of Character Engagement (2019)Words, Images, Enemies: Securitization and International Politics (2003)Visibility (2007)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)Drawing with Numbers: Geometry and Numeracy in Early Modern Architectural Design (2003)Romantic Systematics and the Genealogy of Thought: The Formal Roots of a Cognitive History of Images (2004)Collections Curieuses: The Aesthetics of Curiosity and Elite Lifestyle in Eighteenth-Century Paris (2005)The Veiled Genealogies of Animation and Cinema (2011)Hand and Eye: Excavating a New Technology of the Image in the Victorian Era (2012)Media and the Imaginary in History (2014)
this work references cited by second hop

References

  • 1993Downcast Eyes1,296 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1999Suspensions of Perception1,104 cited
  • 1990Techniques of the Observer: On Vision and Modernity in the 19th Century287 cited
  • 2002Melodrama and Modernity: Early Sensational Cinema and Its Contexts197 cited
  • 1999The Panicking Audience?: Early cinema and the 'train effect'189 cited
  • 1975Le dispositif179 cited
  • 1998Instruments and the Imagination126 cited
  • 1999Living pictures: the origins of the movies73 cited
  • 2001Devices of Wonder: From the World in a Box to Images on a Screen65 cited
  • 1994Le grand art de la lumière et de l'ombre : archéologie du cinéma29 cited

Cited by

  • 2008Le cinéma et les automates. Inquiétante étrangeté, distraction et arts machiniques19 cited
  • 2014The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema14 cited

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