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Diffuse reflection FTIR spectral database of dyes and pigments
5 references·16 citing·42 second hop
Diffuse reflection FTIR spectral database of dyes and pigments (2006)Diffuse reflection FTIR spectral database…Investigation of natural dyes occurring in historical Coptic textiles by high-performance liquid chromatography with UV–Vis and mass spectrometric detection (2003)Investigation of natural dyes…Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection (2003)Identification of natural dye…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy: application…Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy (2023)Non-invasive identification o…PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments (2021)PLS-DA and data fusion of vis…Chemometric Tools to Point Out Benchmarks and Chromophores in Pigments through Spectroscopic Data Analyses (2021)Chemometric Tools to Point Ou…Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments (2020)Natural or synthetic? 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Application to Severely Damaged Frescoes (2007)Identification of Earth Pigme…High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)The use of microspectrofluorimetry for the characterization of lake pigments (2007)Identification of ancient textiles from Yingpan, Xinjiang, by multiple analytical techniques (2011)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS) (2013)Characterising pigments on 30 000-year-old portable art from Apollo 11 Cave, Karas Region, southern Namibia (2015)Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy) (2016)Non-invasive FTIR study of mortar model samples: comparison among innovative and traditional techniques (2019)Colour and art: A brief history of pigments (2005)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Pigment Compendium: A Dictionary of Historical Pigments (2007)Advanced discriminating criteria for natural organic substances of Cultural Heritage interest: Spectral decomposition and multivariate analyses of FT-Raman and FT-IR signatures (2013)Applicability of a Diffuse Reflectance Infrared Fourier Transform handheld spectrometer to perform in situ analyses on Cultural Heritage materials (2014)Portable diffuse reflectance infrared Fourier transform (DRIFT) technique for the non-invasive identification of canvas ground: IR spectra reference collection (2015)An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs (2005)Phytochemical analysis of young fustic (Cotinus coggygria heartwood) and identification of isolated colourants in historical textiles (2009)Extracting natural dyes from wool—an evaluation of extraction methods (2011)Morphology and mechanisms of formation of natural patinas on archaeological Cu–Sn alloys (1998)Electrochemical and spectroscopic characterizations of patinas formed on an archaeological bronze coin (2005)Composition and electrochemical properties of natural patinas of outdoor bronze monuments (2007)ELECTROCHEMISTRY AND AUTHENTICATION OF ARCHAEOLOGICAL LEAD USING VOLTAMMETRY OF MICROPARTICLES: APPLICATION TO THE TOSSAL DE SANT MIQUEL IBERIAN PLATE (2011)Tracing, authenticating and dating archaeological metal using the voltammetry of microparticles (2011)Modeling Corrosion of Archaeological Silver‐Copper Coins Using the Voltammetry of Immobilized Particles (2012)Raman spectroscopy of the basic copper chloride minerals atacamite and paratacamite: implications for the study of copper, brass and bronze objects of archaeological significance (2002)Understanding corrosion of ancient metals for the conservation of cultural heritage (2009)In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR (2013)Degradation of emerald green: scientific studies on multi-polychrome Vairocana Statue in Dazu Rock Carvings, Chongqing, China (2020)Identification of green pigments and binders in late medieval painted wings from Norwegian churches (2020)The chemistry of making color in art (2021)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Ink classification in historical documents using hyperspectral imaging and machine learning methods (2025)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Pigment identification by spectroscopic means: an arts/science interface (2002)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 2003Investigation of natural dyes occurring in historical Coptic textiles by high-performance liquid chromatography with UV–Vis and mass spectrometric detection148 cited
  • 2003Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection102 cited

Cited by

  • 2019New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks60 cited
  • 2008Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting55 cited
  • 2014Diffuse reflectance FTIR database for the interpretation of the spectra obtained with a handheld device on built heritage materials48 cited
  • 2010Electrochemical identification of corrosion products on historical and archaeological bronzes using the voltammetry of micro-particles attached to a carbon paste electrode48 cited
  • 2021PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments42 cited
  • 2023Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy40 cited

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  • 2011Pigment analyses of a portrait and paint box of Turkish artist Feyhaman Duran (1886–1970): The EDXRF, FT-IR and micro Raman spectroscopic studies40 cited
  • 2008Characterization of pigments used in painting by means of laser-induced plasma and attenuated total reflectance FTIR spectroscopy36 cited
  • 2010Application of photoacoustic infrared spectroscopy in the forensic analysis of artists’ inorganic pigments33 cited
  • 2020Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments33 cited
  • 2013The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia‐Italy): characterization of materials and techniques used31 cited
  • 2021Chemometric Tools to Point Out Benchmarks and Chromophores in Pigments through Spectroscopic Data Analyses28 cited
  • 2007Identification of Earth Pigments by Applying Hierarchical Cluster Analysis to Solid State Voltammetry. Application to Severely Damaged Frescoes28 cited
  • 2020Investigating counterfeiting of an artwork by XRF, SEM-EDS, FTIR and synchrotron radiation induced MA-XRF at LNLS-BRAZIL27 cited
  • 2016Another beauty of analytical chemistry: chemical analysis of inorganic pigments of art and archaeological objects24 cited
  • 2018Capabilities and limitations of handheld Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for the analysis of colourants and binders in 20th-century reverse paintings on glass23 cited