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Narrative and Dialogue in Jane Austen
0 references·8 citing·24 second hop
Narrative and Dialogue in Jane Austen (1970)Narrative and Dialogue in Jane AustenFree Indirect Style in Modernism (2017)Free Indirect Style in Modern…Slipping from Secret History to Novel (2015)Slipping from Secret History …(Un)Reliability in Narrative Discourse: A Comprehensive Overview (2015)(Un)Reliability in Narrative …A Scientific Justification for Literature: Jane Austen’s Free Indirect Style as Ethical Tool (2013)A Scientific Justification fo…Sense and Sensibilityin a postfeminist world: sisterhood is still powerful (2003)Sense and Sensibilityin a pos…Reimagining Jane Austen: the 1940 and 1995 film versions ofPride and Prejudice (2003)Reimagining Jane Austen: the …Jane Austen on Screen (2003)Jane Austen on ScreenMore Aspects of Focalisation: Refinements and Applications (1999)More Aspects of Focalisation:…CINEMA AND SPECTATORSHIP (1993)Women's Pictures: Feminism and Cinema (1994)Boom and bust: the American cinema in the 1940s (1998)Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction (1981)A Theory of Narrative Empathy (2006)On the origin of stories: evolution, cognition, and fiction (2010)The Rise of the Novel: Studies in Defoe, Richardson, and Fielding (1960)Factual Fictions: The Origins of the English Novel. (1985)The Origins of the English Novel, 1600-1740 (2002)Problems of Dostoevsky's Poetics (1984)Time and narrative (1986)Narratology: introduction to the theory of narrative (1998)Einleitung (2021)Transparent Minds (1978)Narrative Discourse: An Essay in Method (1980)Sprachtheorie. Die Darstellungsfunktion der Sprache. (2011)Film and Literature: An Introduction and Reader (1999)Screened Writers (2012)The Principles of Psychology (1891)Philosophical Investigations. (1954)The Order of Things: An Archaeology of the Human Sciences. (1971)Linguistic Approaches to Literature (2013)Contemporary present-tense fiction: Crossing boundaries in narrative (2022)How do characters perceive their world? Representation of perception from traditional past-tense narrative to contemporary present-tense narrative (2022)
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Cited by

  • 2017Free Indirect Style in Modernism57 cited
  • 2015(Un)Reliability in Narrative Discourse: A Comprehensive Overview37 cited
  • 2003Sense and Sensibilityin a postfeminist world: sisterhood is still powerful28 cited
  • 1999More Aspects of Focalisation: Refinements and Applications26 cited
  • 2003Jane Austen on Screen23 cited
  • 2013A Scientific Justification for Literature: Jane Austen’s Free Indirect Style as Ethical Tool19 cited
  • 2003Reimagining Jane Austen: the 1940 and 1995 film versions ofPride and Prejudice18 cited
  • 2015Slipping from Secret History to Novel15 cited

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