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Music in the Middle Ages
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Music in the Middle Ages (1941)Music in the Middle AgesMusic and Ethical Responsibility (2014)Music and Ethical Responsibil…Medieval Dances: Matching the Repertory with Grocheio's Descriptions (1989)Medieval Dances: Matching the…B-Flat: Transposition or Transformation? (1986)B-Flat: Transposition or Tran…A Four-Part "In seculum" Hocket and a Mensural Sequence in an Unknown Fragment (1984)A Four-Part "In seculum" Hock…Gerald of Wales and the Sumer Canon (1983)Gerald of Wales and the Sumer…Compositional Procedure in Machaut's ‘Hoquetus David’ (1980)Compositional Procedure in Ma…The Origin of the Hocket (1978)The Origin of the HocketA Fragmentary Manuscript of Early 15th-Century Music in Dijon (1974)A Fragmentary Manuscript of E…The Ludus super Anticlaudianum of Adam de la Bassée (1970)The Ludus super Anticlaudianu…The Melodies of the Medieval Church-Dramas and Their Significance (1968)The Melodies of the Medieval …Musical Instruments in Medieval Psalm Commentaries and Psalters (1968)Musical Instruments in Mediev…Tone System in the Secular Works of Guillaume Dufay (1965)Tone System in the Secular Wo…Historical Aspects of Ethnomusicology (1958)Historical Aspects of Ethnomu…Instrumental Polyphonic Folk Music in Asia Minor (1953)Instrumental Polyphonic Folk …Key, Mode, Species (1951)Key, Mode, SpeciesFrom St. Martial to Notre Dame (1949)From St. Martial to Notre DameDie Harmonielehre des Klaudios Ptolemaios (1930)Porphyrios Kommentar zur Harmonielehre des Ptolemaios (1933)Mode in Ancient Greek Music (1936)THE ARTIFICE OF ETERNITY: A STUDY OF LITURGICAL AND THEATRICAL PRACTICES IN BYZANTIUM (2006)The evolution of human music in light of increased prosocial behavior: a new model (2023)Historical facts for the Arabian musical influence (1930)Die Musik des Mittelalters und der Renaissance (1936)The letters of St. Bernard of Clairvaux (1953)Renaissance and Renascences in Western Art (1962)Metapoesis in Trecento Song: ‘Divisio’ at the Intersection of Love, Poetic Form, and Music (2018)Studies in Medieval and Renaissance Music (2018)Old, New, and Newer Still in Book 7 of the Speculum musice (2020)Enchiridion symbolorum, definitionum et declarationum de rebus fidei et morum (1922)Sententiae in IV libris distinctae (1971)Catalogue of dated and datable manuscripts, c. 700-1600, in the Department of Manuscripts, the British Library (1979)SINGING THE HICCUP – ON TEXTING THE HOCKET (2013)The One Who Comes After Me (2013)Women and Their Sequences: An Overview and a Case Study (2019)The Notation of Polyphonic Music, 900-1600 (1950)Johannes de Garlandia onorganum in speciali (1982)Franco of Cologne on the rhythm of organum purum (1990)Handbuch der Musikgeschichte (2009)A History of Western Music (1960)Studies in Musicology 1935–1975 (1977)The Journey through Wales ; and The Description of Wales (1978)The Drama of the Medieval Church. (1934)An Introduction to Philo Judaeus (1943)The Study of the Bible in the Middle Ages (1989)The question of instruments and dance in Hildegard of Bingen's twelfth-century music drama Ordo Virtutum (1991)The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-century Aquitaine (2006)North American Indian Musical Styles (1954)The Use of Music in the Study of a Problem of Acculturation* (1955)Music in Primitive Culture (1956)Tradição oral e história (2007)On the History of the Term “Ethnomusicology” (2010)On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman’s Approach to Music (2015)Source Readings in Music History (1950)Corpus scriptorum de musica (1957)A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice (1966)Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Prenez sur moy: Okeghem's tonal pun (1992)Signature-systems and tonal types in the fourteenth-century French chanson (1995)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Phenomenology of Perception (1982)Postmodernism, or, The cultural logic of late capitalism (1991)Just Vibrations (2016)Artistic Creation and Ethical Criticism (2020)Music, Encounter, Togetherness (2024)
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Cited by

  • 2014Music and Ethical Responsibility120 cited
  • 1984A Four-Part "In seculum" Hocket and a Mensural Sequence in an Unknown Fragment27 cited
  • 1958Historical Aspects of Ethnomusicology26 cited
  • 1965Tone System in the Secular Works of Guillaume Dufay16 cited
  • 1951Key, Mode, Species15 cited
  • 1983Gerald of Wales and the Sumer Canon15 cited
  • 1978The Origin of the Hocket13 cited
  • 1968Musical Instruments in Medieval Psalm Commentaries and Psalters12 cited
  • 1949From St. Martial to Notre Dame8 cited
  • 1953Instrumental Polyphonic Folk Music in Asia Minor7 cited
  • 1989Medieval Dances: Matching the Repertory with Grocheio's Descriptions6 cited
  • 1974A Fragmentary Manuscript of Early 15th-Century Music in Dijon6 cited
  • 1968The Melodies of the Medieval Church-Dramas and Their Significance5 cited
  • 1980Compositional Procedure in Machaut's ‘Hoquetus David’4 cited
  • 1970The Ludus super Anticlaudianum of Adam de la Bassée4 cited
  • 1986B-Flat: Transposition or Transformation?

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4 cited